Daredevil on Netflix

daredevil-red-costume-lo-resOn April 10th, Daredevil premiered on Netflix. And no, I’m not talking about the 2003 film directed by Mark Steven Johnson. This is a thirteen-episode Netflix original series.

All of the live-action properties produced by Marvel Studios take place within a shared universe and Daredevil is no exception. As with all Netflix original shows, all thirteen episodes were released at once. So when I got home from work Friday afternoon, I immediately began binge-watching, and I watched the final episode on Saturday.

This show is really freaking excellent. It’s much darker than the Marvel stuff we’ve seen up to now, due to the freedom offered by Netflix. And it’s something that really suits the character of Daredevil, who came to prominence during Frank Miller’s seminal run on the title that injected a heavy dose of crime noir into the character.

Charlie Cox is wonderful as Matt Murdock and there’s really no one better to play this part. Vincent D’Onofrio’s Kingpin may not have the physical presence that Michael Clarke Duncan had in the Daredevil film, but he more than makes up for that with a spectacular performance that brings a lot of nuance to the character of Wilson Fisk. There’s great work from the cast on pretty much every front, but I have to give a special shout-out to Scott Glenn’s portrayal of Matt’s blind mentor, Stick. The episode when he appears is one of my favorites, not only because of Glenn’s excellent performance, but also because it introduces the Hand.

As I mentioned before, Daredevil is the darkest thing Marvel Studios has done so far. But Marvel is doing something smart because they aren’t taking a one-tone-fits-all approach with their properties (as opposed to the approach adopted by a certain Distinguished Competition with their films). Just like the comics, these movies and shows are adopting an appropriate tone for each character. With Captain America, they give us political intrigue. Iron Man is techno-thriller, Thor is more fantasy, Guardians of the Galaxy is fun space opera, and Daredevil is a gritty crime drama. Marvel could have easily said, “well quippy, upbeat heroes are what have worked for us, so we’re going to do the same thing to Daredevil.” But they didn’t. Instead, they said, “we’re doing Frank Miller’s Daredevil and we’re going to remain true to that.”

And it’s wonderful. It also illustrates something that my good buddy Derrick Ferguson has said many times—not every superhero needs a summer blockbuster movie. And he’s absolutely right. Characters like Daredevil work so much better in a serialized format, because it gives more time for long-running stories and plotlines to play out. That was one of the biggest problems with the Daredevil film—it basically tried to cram a television season’s worth of storytelling into two hours (or an hour and a half if you’ve only seen the vastly inferior theatrical cut). Now, if the Daredevil series does the classic Elektra/Bullseye story (which, come on, of course they’ll do it), they can have it play out over the course of an entire season and give it the room it needs to properly breathe.

I’ve been looking forward to these Marvel/Netflix shows ever since they were first announced. But now after I’ve seen Daredevil, I’m even more excited for the remaining three—AKA Jessica Jones, Luke Cage, and Iron Fist. And then they’ll all come together in The Defenders.

But even more exciting than that is another season of Daredevil. Let’s hope it comes sooner rather than later.

If you like superheroes, you might also consider giving my prose superhero serial, Vanguard, a try. Check out the first episode and see if it’s your thing.

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No, we don’t need #ComicsGate

portrait_uncannyToday, I saw an interesting article over at Salon, titled “The new Gamergate: Angry white men are trying to shut down diverse comics.” In the article, Matt Binder takes down an article written on Breitbart.com by “journalist”/professional misogynist Milo Yiannopoulos. See, Milo is all pissed because Marvel has reimagined Thor as a woman.

This proves that Milo hasn’t actually read Jason Aaron’s excellent Thor comic. Because you see, there is no reimagining. Thor has not switched genders, he somehow became no longer worthy of lifting Mjolnir after something Nick Fury whispered to him during the Original Sin crossover (what Fury whispered still hasn’t been revealed).

Mjolnir was picked up by a woman, who the hammer deemed worthy and granted her the power of Thor. And then when the real Thor saw what kind of person she was and fully worthy of wielding the hammer, he gave her his blessing to use his name.

There hasn’t been any reimagining. There hasn’t been any gender-swapping. Male Thor is in fact still a major presence in the book. In fact, a recent issue featured him more than Mjolnir’s new bearer.

Milo would know this, if he had read Thor. Clearly he has not. But still, he bemoans the destruction of a cherished artform.

It should be noted that Milo was once extremely dismissive of gamers. But then once the misogynists who make up GamerGate came along, Milo saw an opportunity to spew his particular brand of vile. So all of a sudden, Milo went from mocking gamers to praising them for standing up to the dreaded feminists and “social justice warriors” who are totally ruining things for straight white men by not sitting down and taking whatever abuse the MRA crowd throws their way. Milo has also been dismissive of comic fans in the past and there is literally zero reason to believe he’s not trying to jump on this bandwagon out of shameless opportunism.

This isn’t the first time characters have swapped identities. That’s a tradition dating at least as far back as the Silver Age (since Milo has never read comics, I should inform him that the Silver Age is ostensibly believed to have begun in 1956 with the introduction of Barry Allen, taking over the mantle of the Flash from the Golden Age Flash, Jay Garrick). It’s also not the first time that minority characters have taken up the mantle of a well-established white male character. That dates back at least as far as the 70s when black men like Jim Rhodes and John Stewart took up the mantle of Iron Man and Green Lantern from their white male predecessors. It’s also not the first time that a woman has been shown to lift Thor’s hammer. Storm, Rogue, even Wonder Woman have all been shown to hold Mjolnir and gain the power of Thor.

Milo would know this, if he actually read comics. But clearly, he doesn’t.

One of the claims made in the Breitbart article (I’m not going to link to it because they don’t deserve the traffic) is that sales on Thor #4 were far lower than on Thor #1. For one thing, these are numbers of print copies ordered by the comic shops, they don’t necessarily reflect actual sales and don’t take into account digital copies. And two, it’s normal for comic shops to order far more issue #1s than issue #4s. The reason for this is simple—more people will buy the first issue of a comic because of its perceived value as a potential collector’s item.

Milo would know this, if he actually read comics. But clearly, he doesn’t.

More than that, notice how whenever a straight white guy steps into the mantle of another straight white guy, it’s never a gimmick to people like Milo? No, it’s only when a minority steps into the mantle that suddenly it becomes some evil SJW gimmick. To these people, it’s perfectly natural to imagine that someone could believe a different straight white male could fill the role as well as the first straight white male. But it is utterly inconceivable to them that anyone could believe a minority is capable of filling that role. That speaks volumes about their mindset.

Let’s also look at this whole notion of “gimmicks.” Whether or not it’s a gimmick doesn’t matter. Comics, like pretty much every form of entertainment out there, uses gimmicks.

The Avengers movie everyone loves so much? Guess what, that was a gimmick. So was rebooting the Batman films with The Dark Knight Trilogy. Hell, the entire reason Marvel Comics got started was because of a gimmick—Archie Goodwin told Stan Lee they needed a team of superheroes to compete with DC’s Justice League of America, and so Stan came up with Fantastic Four. And it was a gimmick—they were a team of superheroes who bickered with each other. Same thing with Amazing Spider-Man—not only was he a teenager headlining a solo book (teenagers were only supposed to be sidekicks back then), but he was a teenager who faced the same problems that normal teenagers faced. Nick Fury became the Director of SHIELD because Lee wanted to tap into the success of the James Bond films, so he created his own super-spy.

Speaking as a writer, there are lots of ideas I’ve gotten that were basically nothing more than “maybe this’ll be cool” or “maybe this will sell.” Whether or not something originates as a gimmick doesn’t matter. What matters is whether or not the execution is there. And Thor has been executed marvelously well.

Milo would know this, if he actually read comics. But clearly, he doesn’t. He never has and he likely never will. He is not a fan and true comic fans should rebuff his attempts to co-opt out passion for his own twisted, misogynist agenda.

Take your sexist bullshit somewhere else, Milo. We want none of it.

Marvel Unlimited

marvelunlimitedAs I’ve mentioned before, I’m a big proponent of digital media and especially of digital comics. But also as I’ve said before, the DRM restrictions that many publishers place on their comics have turned me off. I won’t be making a return to Marvel and DC until they stop treating their customers like criminals. The logic behind it is senseless, as a simple search over at the Pirate Bay would show that DRM has done absolutely nothing to curb comic book piracy, just like it hasn’t curbed piracy of movies, TV shows, books, or video games. I don’t trust ComiXology to be around ten years from now, five years from now, or even one year from now. I don’t want to end up in a situation where Marvel or DC switches digital comic providers and then I lose my collection, or in a situation where ComiXology goes out of business and I lose my collection. If you’re not going to allow me to back up my collection to my hard drive or to view it in a comic library other than ComiXology, you aren’t getting my money—it’s as simple as that.

But one thing that did intrigue me was Marvel Unlimited. For an annual fee, you get access to over 13,000 comics in Marvel’s library (or at least that’s what they advertise as). They’ve got old books as well as issues released six months ago. It’s also available for tablets and smartphones, so what this amounts to is a Netflix for Marvel Comics, and I’d be totally willing to opt into something like that. At least this way, I’m paying a rental fee for these comics, whereas with ComiXology, I’m being charged full price for a product I don’t own.

Now that I have an iPad, I thought I would check out the Marvel Unlimited app. I was really excited, downloaded it, and fired it up. And then I went to try some of their free samples.

And dear god, it is horrible.

Marvel Unlimited has three views for comics—single page, double page, and smart panel. I assumed the smart panel would be akin to ComiXology’s, but unfortunately it’s not. It basically zooms in on a portion of the page and it seems like a generic zoom, as it doesn’t have ComiXology’s smooth panel by panel reading feature.

To make things worse, on my iPad, which has retina display, I’d expect the comic pages to look pristine. Instead, they’re extremely blurry. The pages are not up to the standards of the tablet’s display.

This is a great idea, but Marvel has clearly not put a lot of thought into this. Crappy resolution and a jerky interface make for a product that is definitely not worth the price they’re charging.

Why is this so hard to get right?

Lettering Portfolio Now Active And Some New Articles

Got a bit of an update for everyone today.

First off, I’ve decided to try to get back into the lettering game. I’ve spoken to some former clients and they seemed excited to hear that I’m looking for lettering work again. I’ve also updated my lettering portfolio and added it to this site, so you can check it out here. These are some sample pages I’ve worked on (obviously I can’t post up everything I’ve ever lettered). Some of these were published and some were just submissions that unfortunately didn’t get accepted. I’ve also done some logo work (which can also be seen in the logos for every single one of my books). So if you’re looking for a letterer or logo designer for your comic, please send me a line via my contact page and we can discuss page rates.

I’ve also got some new articles for your perusal on WhatCulture:

Kindle Worlds: Is Open Source Fan Fiction A Good Or Bad Thing? – I take a look at the Kindle Worlds and break it down a little, talking about the platform and what it means for new writers.

The Avengers: 4 Things The Comics Can Learn From The Movie – With the success of the Avengers, I talk about the comics and how they could benefit from some of the many, many things Joss Whedon’s Avengers film did right, which the comics are currently doing wrong.

6 WTF Comic Book Movies That Almost Got Made – There are some comic book movies that are just so terrible, even studio executives have a moment of clarity and think, “wait, what the hell are we doing?” Here are six such movies.

10 More TV Shows Marvel Must Make – After my first article spotlighting 10 shows Marvel should consider, I realized I had a whole lot more. So here’s a follow-up with 10 more comic properties I want Marvel to put on the small screen.

And here’s a new article over on GaijinPot:

4 Tips On Preparing To Move To Japan – I think back to my experience moving to Japan and give some tips for new people preparing to come over.

Have you heard the one about Spider-Man?

So the Internet is all a-buzz right now with the big revelation from Marvel’s Amazing Spider-Man #700, written by Dan Slott. This issue ends Amazing Spider-Man and Superior Spider-Man #1 will be released next month. It’s even earned Slott death threats. Seriously? Grow up, people. I don’t care how bad the story is (and it’s pretty bad), but at the end of the day it’s still just a fucking comic book.

First off, if you plan on buying this issue and haven’t yet, then I’d like to save you some money and time by advising you not to. Seriously, just don’t do it. Especially for the price Marvel is charging (¥700 on my Marvel Comics iPhone app).

Second, if you’re a glutton for punishment and still want to buy the issue, then you should probably stop reading right now. Because otherwise, I will spoil the ending for you.

In other words, spoilers follow, so turn away now.Continue reading→