They say that the only certainties in life are death and taxes, but I’ve got a third certainty: a Derrick Ferguson Dillon yarn will always be spectacular.

I’m no stranger to Ferguson’s writing or the world of Dillon. I was both fortunate and unfortunate enough to jump onboard when the first book, Dillon and the Voice of Odin, was initially released almost ten years ago. I say fortunate because I’ve gotten to spend that time with this character, reading and in some cases re-reading his adventures. I say unfortunate because that also means I’ve had to endure waiting for the next book to come out. There have been four Dillon books to date: Dillon and the Voice of Odin, Dillon and the Legend of the Golden Bell, Four Bullets For Dillon (a collection of short stories), and now Dillon and the Pirates of Xonira. Each one has been superbly written, with white-knuckle action, snappy dialogue, and witty humor.

This latest tale comes on the heels of The Legend of the Golden Bell, and just like in that book, we see Dillon returning to the fictional nation of Xonira. When I first heard that this book would take place in Xonira again, I have to admit some skepticism on my part—we just finished a tale there, so why did we need to return so soon when Dillon is a global adventurer? But my skepticism was unfounded, as Xonira feels as fresh and as intriguing a setting now as it was a few years back when it was first introduced in The Legend of the Golden Bell.

Dillon, of course, is back. Along with his frequent partner-in-crime and mentor, Eli Creed (who, despite retiring, seems to be doing a very bad job of actually staying retired, and bless him for that as he’s always a fun addition). Signing up for this mission as well is Toi Lahayne, a representative of the mysterious Braithwaite Group and Allie and Shon Pierri, a mother-and-son team of French defense agents. On the other side, we have the Pirates of Xonira, commanded by a man who has some history with Dillon.

The action moves along at a brisk pace. At a little over two hundred pages, it feels like a lot less, given how quickly you can progress through the book. Ferguson very rarely lets up on his characters, even for the briefest of moments, and there’s always something either happening or on the verge of happening (or sometimes both simultaneously).

While the roles of one of the characters seemed a bit too obvious to me at first, Ferguson flipped it on its head slightly at the end of the book. I won’t say anything more about it than that, other than it’s a very realistic thing in this situation, and serves both to give Dillon a bit more humanity by presenting him with a problem he can’t really solve as well as opening the door for a follow-up in the future. And speaking of follow-ups, the last scene hints at exactly that in a very big way.

I’m not sure when the rest of that adventure will be told, but I will be waiting for it.