Mythworld by Russ Anderson, Jr.

711kppP3zLLAs a child, Charlie Reese witnessed something incredible. Now as an architect and fresh out of college, he’s just gotten his first big break working for Harold Lightfoot, billionaire owner of the world’s fastest delivery service. But Harold has another identity, that of Hermes, the Messenger of the Olympian Gods. He wants to bring back worship of the Olympians, and for that he needs Charlie’s help.

The premise of Mythworld and the beginning of the book will no doubt remind some readers of Neil Gaiman’s American Gods. Like in American Gods, Mythworld introduces us to a normal guy who gets sucked into a world where mythological gods and goddesses are real and how humanity’s waning belief in them has caused problems.

But the similarities really end there. Mythworld is its own story, and it’s a damn good one. Anderson himself has described the book as American Gods meets The Matrix and it’s easy to see why. When the action starts, Anderson cranks the dial up to 11 and then breaks off the knob.

Charlie is a very well-drawn character and no matter how fantastical the plot gets, he helps keep us anchored. The book is over three hundred pages, but it doesn’t feel like it. I found myself getting sucked into the narrative and especially the dialogue.

To date, Mythworld is the best book I’ve read this year. And though it’s only May as I write this review, it’s going to be very difficult for any other title to top it.

Pick up Mythworld from Amazon.

The stunning conclusion to Vanguard season 1!

Vanguard 005It all comes down to this! Everything that’s been building since the beginning of the series!

The Red Fist and their leader, the mysterious man known only as the Khagan, now make their push for the final stage of their plan! What is the Khagan’s plan? How does a new young special figure into it? What is the secret that’s been plaguing Paragon? Who is the mole inside the team?

With Vanguard now two members short, can they possibly manage to stand against such a threat? And what does this mean for the future of the team? Find out in this extra-sized season finale!

Featuring the return of several foes, including the Exemplar and Lucent!

Pick up the season finale now, available only on Amazon for 99¢. Or free if you’re a member of Kindle Unlimited!

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And be sure to join the mailing list so you can get the upcoming Vanguard Annual #1 for free!

Get The Lost Continent free!

Lost Continent ebookThe Lost Continent, which is the first book in The Myth Hunter series, is now available for free on all platforms!

This is the book that introduces readers to adventurer Elisa Hill, who travels the world seeking out the truth behind the myths and legends. In The Lost Continent, Elisa is on a quest to prove the existence of the lost continent of Lemuria, a legend her parents were never able to prove during their lifetime.

Armed with an assortment of ancient weaponry and colorful allies, including a Japanese changeling, Elisa must stay one step ahead of the mysterious sect known as the Order, who have employed her former partner. She also has to stay clear of a sword-wielding sociopath who will stop at nothing to lure her into his deadly game!

Check out the first book to bear the New Pulp logo, a work which Ron Fortier of Pulp Fiction reviews called, “a solid, masterful thriller by a young writer realizing his tremendous potential.”

Writers write, wannabes make excuses

tumblr_static_writing1If you want to be a writer, you have to write. Yes, it’s that simple. And that difficult.

Being a good writer takes more than just talent. The only thing talent really gives you is the determination to keep going no matter what. Michael Jordan wasn’t born an amazing basketball player, it was something he worked at. He arrived at practice early and he stayed late. Because he wanted it bad enough to put in the extra work.

I’ve known a lot of people who wanted to be writers. They would talk all about the stories they would tell, what writing means to them, the authors that inspire them, etc. But when I’d ask them when they write or how often they write, I’d often get vague responses or excuses.

These are people who don’t really want to be writers. The thing that separates the people who truly want to be writers from the people who just like to talk about writing is that the former put their butts in the chair and bang away at the keyboard. The latter complain about how little time they have to write.

If you want it bad enough, you will make time.

I knew I wanted to be a writer when I was ten years old. And from the age of ten, I wrote as often as I could, whenever I could. When I was in high school and writing fanfiction, I approached it with a fervent dedication. And I wasn’t a kid with a lot of free time. I took part in numerous extracurricular activities—I was a member of the band, speech team, mock trial team. I auditioned for plays. And I worked part-time after school.

But I still found time to write.

I would sacrifice my lunch breaks and sit in the computer lab, banging away on stories. I had a constant supply of floppy disks that I’d take from computer to computer with all the projects I was working on. And if I didn’t have a computer, I would use a notebook and a pen. I work full-time now at several jobs. One of my jobs involves standing for several hours while waiting. You know what I do during those hours? I write. In a notebook with a pen while standing. Because I want to be a writer.

I remember listening to an episode of Simon Whistler’s Rocking Self Publishing Podcast where he talked to a writer who composed his novel while sitting in the stands at his kids’ sporting events, typing them out with his thumbs on his iPhone.

That’s a guy who made the time to write.

Do you have time to post on Facebook? Do you have time to Tweet? Do you have time to watch TV shows on Netflix? Do you have time to play video games? Do you have time to go to message boards and talk about how you don’t have any time to write?

Then guess what? You also have time to write. You just don’t want it bad enough.

Writing is a skill and like any skill, it has to be developed. If someone told you, “I’m a musician. But I haven’t played anything in six months,” you probably wouldn’t take them seriously. And that’s how I feel when someone tells me they’re a writer who doesn’t have time to write.

You have to work full time? Boo-hoo, so have millions of other writers. Chuck Palahniuk wrote Fight Club during whatever spare moments he could find when he was working as a diesel mechanic. I’ve known parents who will type with one hand while cradling a newborn baby in the other. And you’re telling me you can’t take five minutes on your lunch break to scribble down some words? You’re telling me you can’t wake up fifteen minutes early or go to bed fifteen minutes late to bang out some words on the keyboard? You’re telling me you can’t spend a few minutes away from sharing cat memes and stalking people you went to high school with on social media to knock out a few words? You can’t write in a notebook while taking public transportation or speaking into a voice recorder while driving to work?

Then you don’t want it bad enough.

We’ve all got responsibilities beyond writing. We all have to prioritize things in our life. If you have time to make excuses for why you’re not writing, then you have time to write.

Turn off the TV, hide the video games, disconnect the wifi, and get to work. Stop making excuses.

Vanguard #4 available NOW!

Vanguard 004Vanguard #4: Power Surge is now available on Amazon for $0.99, or free if you’re a Kindle Unlimited subscriber!

In this episode, the team gets an emergency call from a research company being attacked by a rogue special, one who has been kept prisoner! Now free the special—called Lucent—is embarking on a deadly path of revenge and he doesn’t care who gets in his way!

But Lucent is just one small part of a larger problem. How did Vanguard’s superiors discover about this attack so quickly? And what connection does this have to the mysterious special known only as the Analyst and his organization, the Red Fist?

The clock is ticking to the explosive season finale as Vanguard is forced to fight a battle with significant consequences!

Own your copy of Vanguard #4: Power Surge today! And don’t forget to pre-order the season finale, Vanguard #5: Rise of the Red Fist, coming in May!

If you enjoy the Vanguard series, help spread the word by leaving a review on Amazon!

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The Descendants Volume 1

24241603I first discovered comic books in the early 90s. I was a huge fan of the X-Men and Batman: The Animated Series and my brother, whose sports collectibles shop sold comics as well, shipped me some unsold issues of various comics. Although I first came to comics in the 90s, I became quickly addicted and through the use of my local library and back-issue bins, quickly began devouring older stories from the Silver and Bronze Age. And of the comics I read, the Bronze Age ones were undoubtedly my favorite.

For those who aren’t aware, the Bronze Age of comics generally refers to the period between 1970-1985. There was also a mixture of darker, more socially relevant storytelling. This is the era that brought us such classic stories as The Dark Phoenix Saga, The Night Gwen Stacy Died, Snowbirds Don’t Fly, and Frank Miller’s groundbreaking run on Daredevil. But even with the darker stories, there still remained elements of the fun of the Silver Age stories (unlike comics that followed and continue to this day, where grim ‘n’ gritty is used as a shortcut for good storytelling).

It’s clear that Landon Porter and I are cut from the same cloth, because The Descendants definitely follows in the mode of those stories. The group of young superhumans we meet in Welcome to Freeland House have some been through some trying situations, but they still maintain their youthful exuberance and act just as any other teenage kid would act. And like the Bronze Age comics of old, Porter gives us short, self-contained stories with larger story-arcs playing in the background.

Porter proves himself a master of the serial format, expertly weaving in and out the multitude of character arcs and plotlines that never drag on for a page longer than they should.

Some of the story elements didn’t win me over as much. I didn’t quite understand why the story was set in the future as the setting seemed like it could easily be the modern-day. I also wasn’t very fond of the non-powered friends of Warrick and Cyn. But the interactions of the residents of Freeland House, particularly Warrick and Cyn, more than make up for these weaker points.

Pick up The Descendants Complete Collection Volume 1: Welcome to Freeland House from Amazon or read it in serial format at the website.

If you’re looking for more superhero action, check out my Vanguard serial (issue #4 coming out Monday, April 20th!).

Daredevil on Netflix

daredevil-red-costume-lo-resOn April 10th, Daredevil premiered on Netflix. And no, I’m not talking about the 2003 film directed by Mark Steven Johnson. This is a thirteen-episode Netflix original series.

All of the live-action properties produced by Marvel Studios take place within a shared universe and Daredevil is no exception. As with all Netflix original shows, all thirteen episodes were released at once. So when I got home from work Friday afternoon, I immediately began binge-watching, and I watched the final episode on Saturday.

This show is really freaking excellent. It’s much darker than the Marvel stuff we’ve seen up to now, due to the freedom offered by Netflix. And it’s something that really suits the character of Daredevil, who came to prominence during Frank Miller’s seminal run on the title that injected a heavy dose of crime noir into the character.

Charlie Cox is wonderful as Matt Murdock and there’s really no one better to play this part. Vincent D’Onofrio’s Kingpin may not have the physical presence that Michael Clarke Duncan had in the Daredevil film, but he more than makes up for that with a spectacular performance that brings a lot of nuance to the character of Wilson Fisk. There’s great work from the cast on pretty much every front, but I have to give a special shout-out to Scott Glenn’s portrayal of Matt’s blind mentor, Stick. The episode when he appears is one of my favorites, not only because of Glenn’s excellent performance, but also because it introduces the Hand.

As I mentioned before, Daredevil is the darkest thing Marvel Studios has done so far. But Marvel is doing something smart because they aren’t taking a one-tone-fits-all approach with their properties (as opposed to the approach adopted by a certain Distinguished Competition with their films). Just like the comics, these movies and shows are adopting an appropriate tone for each character. With Captain America, they give us political intrigue. Iron Man is techno-thriller, Thor is more fantasy, Guardians of the Galaxy is fun space opera, and Daredevil is a gritty crime drama. Marvel could have easily said, “well quippy, upbeat heroes are what have worked for us, so we’re going to do the same thing to Daredevil.” But they didn’t. Instead, they said, “we’re doing Frank Miller’s Daredevil and we’re going to remain true to that.”

And it’s wonderful. It also illustrates something that my good buddy Derrick Ferguson has said many times—not every superhero needs a summer blockbuster movie. And he’s absolutely right. Characters like Daredevil work so much better in a serialized format, because it gives more time for long-running stories and plotlines to play out. That was one of the biggest problems with the Daredevil film—it basically tried to cram a television season’s worth of storytelling into two hours (or an hour and a half if you’ve only seen the vastly inferior theatrical cut). Now, if the Daredevil series does the classic Elektra/Bullseye story (which, come on, of course they’ll do it), they can have it play out over the course of an entire season and give it the room it needs to properly breathe.

I’ve been looking forward to these Marvel/Netflix shows ever since they were first announced. But now after I’ve seen Daredevil, I’m even more excited for the remaining three—AKA Jessica Jones, Luke Cage, and Iron Fist. And then they’ll all come together in The Defenders.

But even more exciting than that is another season of Daredevil. Let’s hope it comes sooner rather than later.

If you like superheroes, you might also consider giving my prose superhero serial, Vanguard, a try. Check out the first episode and see if it’s your thing.

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New, upcoming releases and events!

Vanguard Bundle 001-003There are some new things coming up very soon!

For starters, I wanted to let everyone know that Vanguard #3: Air of Revolution is now available exclusively at Amazon and on Kindle Unlimited!

Also this Tuesday, March 31st, will see a special Facebook event, called Meet the Serial Killers! This event will feature several authors of serialized fiction, offering discounts and exclusive giveaways all day!

The event is organized by Podcast 451 and Cheap Serials.

I will be at the event from 3-4 PM PST alongside Josh St. John, author of Acorn 666. The box set you see pictured at the top of this post is for the first three episodes of Vanguard and this will be available as a giveaway. I’m also planning to have more giveaways ready on the event, but you have to turn up for the event to be eligible to win!

The event will also feature C.C. Wall (Black Star Canyon), David Wright (Yesterday’s Gone), Rachel Medhurst (Avoidables), Grae Lily (Marked as Prey), Renna Peak (Mistaken), Sherry Soule (Spellbound), M.F. Wahl (Disease), Guido Henkel (Jason Dark), Jane Stein (Renaissance Fair), Sibley Jackson (The Performance), Rex Carpenter (The Fixer), and A.E. Hodge (So Damned Beautiful). It promises to be a lot of fun so join in!

Second, the third Myth Hunter book, Curse of the Necronomicon, is now available for pre-order! It’s scheduled for release on June 22nd, so pre-order it now to get it delivered straight to your device of choice on release day!

Third and finally, Amazing Adventures, the four-book box set featuring my book, The Lost Continent as well as Derrick Ferguson’s Dillon and the Last Rail to Khusra, Mark Bousquet’s Gunfighter Gothic: Under Zeppelin Skies and Joel Jenkins’ On Wings of Darkness will only be available until March 31st! If you haven’t picked up this box set yet, this is your last chance, so don’t miss out!

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Final thoughts on Clean Reader

NEqyWj0clSKUur_2_a-670x353NOTE: I know Chuck Wendig used a similar Peter Quill image in his excellent “Fuck You, Clean Reader: Authorial Consent Matters” post (which you should read), but there’s really no more perfect image to use.

Recently, an app called Clean Reader appeared on the market, selling books with a filter that removes all the “profanity.” I put “profanity” in quotes, because what Clean Reader defines as profanity contains a heavy conservative Christian (and some would convincingly argue) sexist bias. Phrases like “Oh my God!” or “Jesus Christ!’ are considered “profanity” by Clean Reader. As are medical terms like penis, vagina, and anus. And while “penis” is changed to “groin,” “vagina” and “anus” are both changed to “bottom.” Because you know, an anus and a vagina are totally the same thing.

Clean Reader was built by a Christian couple who claim their daughter was upset at having read swears in a book (my guess is they were the ones who were upset, but that’s another story). So they partnered with Page Foundry to produce this app.

And here’s the big problem—Clean Reader acted as a storefront.

Because I distribute my books to Page Foundry, they decided they would also make my books available through Clean Reader. But Page Foundry never contacted me to ask if it’s okay if my books were listed on Clean Reader. They didn’t even send me a notification or give me the choice to opt-out.

Page Foundry and Clean Reader made the decision to list my books without my approval. That’s disrespectful. And borderline illegal.

“But wait! How is this any different from a reader taking a sharpie to your print book?”

That’s the argument some have made in defense of Clean Reader and it doesn’t work for a few reasons.

1. Print books are physical media. Ebooks are digital media. When you buy a print book, you own that physical copy. When you buy an ebook, you don’t own that ebook—you own a license to view the ebook.

2. You can’t sell copies of that censored book without the author’s permission. Sure, you could sell it once, but once you’ve made that sale, you’ve transferred ownership to someone else and can’t sell another copy.

And that’s the big deal—authorial consent, as Chuck discussed in his post. If Clean Reader were simply an after-market app that people could load their ebooks into, I wouldn’t really care. I’d still think it was pretty fucking stupid—it’s not like there’s a shortage of books for conservative Christians—but whatever.

My problem is that Clean Reader sold my books in their store. That gives the impression that I consented to this practice. I do not. And I do not want these people making money off my work.

Imagine if there was the opposite. A filter app that altered Christian fiction to remove all mention of God or Jesus or to replace them with Satan. I imagine the authors of those Christian fiction books—and their fans—would be up in arms. And rightly so.

Page Foundry has since pulled their catalogue from Clean Reader after a massive author backlash. Which is lucky for Clean Reader, because if that didn’t happen, they might have gotten slapped with a lawsuit.

Don’t like profanity in your books, then don’t read books with profanity. Don’t like books that take your god’s name in vain, then don’t read those books. There are millions of books available in the world. If you don’t like mine, find ones that you do. Expecting books to be changed so they fit your worldview is stupid, narrow-minded, and arrogant.

No, we don’t need #ComicsGate

portrait_uncannyToday, I saw an interesting article over at Salon, titled “The new Gamergate: Angry white men are trying to shut down diverse comics.” In the article, Matt Binder takes down an article written on Breitbart.com by “journalist”/professional misogynist Milo Yiannopoulos. See, Milo is all pissed because Marvel has reimagined Thor as a woman.

This proves that Milo hasn’t actually read Jason Aaron’s excellent Thor comic. Because you see, there is no reimagining. Thor has not switched genders, he somehow became no longer worthy of lifting Mjolnir after something Nick Fury whispered to him during the Original Sin crossover (what Fury whispered still hasn’t been revealed).

Mjolnir was picked up by a woman, who the hammer deemed worthy and granted her the power of Thor. And then when the real Thor saw what kind of person she was and fully worthy of wielding the hammer, he gave her his blessing to use his name.

There hasn’t been any reimagining. There hasn’t been any gender-swapping. Male Thor is in fact still a major presence in the book. In fact, a recent issue featured him more than Mjolnir’s new bearer.

Milo would know this, if he had read Thor. Clearly he has not. But still, he bemoans the destruction of a cherished artform.

It should be noted that Milo was once extremely dismissive of gamers. But then once the misogynists who make up GamerGate came along, Milo saw an opportunity to spew his particular brand of vile. So all of a sudden, Milo went from mocking gamers to praising them for standing up to the dreaded feminists and “social justice warriors” who are totally ruining things for straight white men by not sitting down and taking whatever abuse the MRA crowd throws their way. Milo has also been dismissive of comic fans in the past and there is literally zero reason to believe he’s not trying to jump on this bandwagon out of shameless opportunism.

This isn’t the first time characters have swapped identities. That’s a tradition dating at least as far back as the Silver Age (since Milo has never read comics, I should inform him that the Silver Age is ostensibly believed to have begun in 1956 with the introduction of Barry Allen, taking over the mantle of the Flash from the Golden Age Flash, Jay Garrick). It’s also not the first time that minority characters have taken up the mantle of a well-established white male character. That dates back at least as far as the 70s when black men like Jim Rhodes and John Stewart took up the mantle of Iron Man and Green Lantern from their white male predecessors. It’s also not the first time that a woman has been shown to lift Thor’s hammer. Storm, Rogue, even Wonder Woman have all been shown to hold Mjolnir and gain the power of Thor.

Milo would know this, if he actually read comics. But clearly, he doesn’t.

One of the claims made in the Breitbart article (I’m not going to link to it because they don’t deserve the traffic) is that sales on Thor #4 were far lower than on Thor #1. For one thing, these are numbers of print copies ordered by the comic shops, they don’t necessarily reflect actual sales and don’t take into account digital copies. And two, it’s normal for comic shops to order far more issue #1s than issue #4s. The reason for this is simple—more people will buy the first issue of a comic because of its perceived value as a potential collector’s item.

Milo would know this, if he actually read comics. But clearly, he doesn’t.

More than that, notice how whenever a straight white guy steps into the mantle of another straight white guy, it’s never a gimmick to people like Milo? No, it’s only when a minority steps into the mantle that suddenly it becomes some evil SJW gimmick. To these people, it’s perfectly natural to imagine that someone could believe a different straight white male could fill the role as well as the first straight white male. But it is utterly inconceivable to them that anyone could believe a minority is capable of filling that role. That speaks volumes about their mindset.

Let’s also look at this whole notion of “gimmicks.” Whether or not it’s a gimmick doesn’t matter. Comics, like pretty much every form of entertainment out there, uses gimmicks.

The Avengers movie everyone loves so much? Guess what, that was a gimmick. So was rebooting the Batman films with The Dark Knight Trilogy. Hell, the entire reason Marvel Comics got started was because of a gimmick—Archie Goodwin told Stan Lee they needed a team of superheroes to compete with DC’s Justice League of America, and so Stan came up with Fantastic Four. And it was a gimmick—they were a team of superheroes who bickered with each other. Same thing with Amazing Spider-Man—not only was he a teenager headlining a solo book (teenagers were only supposed to be sidekicks back then), but he was a teenager who faced the same problems that normal teenagers faced. Nick Fury became the Director of SHIELD because Lee wanted to tap into the success of the James Bond films, so he created his own super-spy.

Speaking as a writer, there are lots of ideas I’ve gotten that were basically nothing more than “maybe this’ll be cool” or “maybe this will sell.” Whether or not something originates as a gimmick doesn’t matter. What matters is whether or not the execution is there. And Thor has been executed marvelously well.

Milo would know this, if he actually read comics. But clearly, he doesn’t. He never has and he likely never will. He is not a fan and true comic fans should rebuff his attempts to co-opt out passion for his own twisted, misogynist agenda.

Take your sexist bullshit somewhere else, Milo. We want none of it.