Lucian: Dark God’s Homecoming

51rgHLDBZOLLucian: Dark God’s Homecoming by Van Allen Plexico

My rating: 4 of 5 stars

 

I’m a huge fan of Van Allen Plexico’s Sentinels series. Normally I don’t go in for the more space opera-type stuff, so I was curious to see how this book would read. It’s a very enjoyable story with some great action set-pieces. I liked the interaction between Lucian and his human companion, Evelyn. However, I did feel the first-person style was a bit of a weakness from the book. Lucian is a very self-centered character, and while there’s nothing wrong with that, the perspective of the story felt like we got a bit too much of Lucian.

 

I understand this book is connected to Van’s other space opera books, which I am looking forward to reading. Although I didn’t enjoy Lucian as much as his superhero Sentinels series, it still gave me enough of a taste of this wider universe that I’m interested in discovering more.

 

Pick up LUCIAN: DARK GOD’S HOMECOMING

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In Defense of Remakes

l_141320_0407362_7abfc2e6Recently, I began watching the reboot of Battlestar Galactica. I had watched a few episodes several years ago, but didn’t quite get into it. Now I’ve tried it again and have gotten sucked in. I’ve been watching a few episodes every day and now I’m in the middle of the fourth and final season.

 

And as I watch this show, I can’t help but think about some other properties that have been in the news lately. There are two remakes/reboots in the works that involve properties very close to my heart, and which have drawn a lot of negative reactions from fans.

 

The first is Ghostbusters and the second is The Crow. Ghostbusters is one of the first movies I remember watching. Ghostbusters II was actually the first movie I remember seeing in the movie theater. Paul Feig is working on the next Ghostbusters film with an al-female cast of Melissa McCarthy, Kristen Wiig, Leslie Jones, and Kate McKinnon. Don’t think I’ve seen Jones or McKinnon in anything, but I thought Bridesmaids was one of the funniest movies to come out in the past few years, so if Feig, McCarthy, and Wiig are involved, I’m definitely onboard.

 

The second is The Crow. This is a franchise that has not had a single iota of luck since the first film. Even with how great that movie was, it cost us the life of Brandon Lee, who probably would have gone on to bigger and better things had he survived. The sequel, The Crow: City of Angels, was butchered by Miramax in the editing room, resulting in a film that was cut to mirror the progression of the original. And the less said about Salvation and Wicked Prayer, the better. So when this upcoming Crow film is going to be a remake, it’s understandable why some people would be irritated. Except here’s the thing—it’s not really a remake. James O’Barr confirmed that this film is going back to his original graphic novel and doing a closer adaptation of that. As great as The Crow was, it was more an adaptation of tone than of content. As O’Barr himself said, “Brandon Lee will always be Eric Draven,” but this isn’t going to be a movie about Eric Draven (the surname was added to the movie, he was just Eric in the graphic novel).

 

And this brings me back to Battlestar Galactica. The conventional wisdom of fans is that “remakes are horrible and should never, ever be attempted.” I think that’s short-sighted as hell. Are there crappy remakes out there? Oh hell yes. But there are also a lot of wonderful remakes in the world. If the fan mentality that “we should never had remakes” was followed, here is a list of movies we never would have gotten:

 

The Fly
The Thing
The Magnificent Seven
A Fistful of Dollars
Scarface
The Departed
Dawn of the Dead
3:10 To Yuma
True Grit
Ocean’s Eleven
Cape Fear
13 Assassins
The Birdcage
Solaris
Black Caesar
Fatal Attraction
The Fog
Godzilla (2014)
The Mummy
True Lies

 

Technically, we could probably add Casino Royale to that list as well. After all, if fans are counting a new adaptation of The Crow as a remake, then technically Casino Royale qualifies as well—there were two adaptations of that book prior to Daniel Craig’s first Bond outing. One was a made-for-TV movie that reimagined MI6’s James Bond as the CIA’s Jimmy Bond, and there was a comedy spoof of it in the 60s featuring David Niven. We could also count Christopher Nolan’s Batman trilogy as a remake as well. And also Captain America: The First Avenger, given that there was a Captain America movie released in the early 90s.

 

Remakes are just like any other type of movie—there are good ones and there are bad ones. But making a blanket statement that all remakes are terrible is like making a blanket statement that all sci-fi movies are terrible. There are remakes that can be just as good as the original. And sometimes, they can even surpass the original. Again, look at Battlestar Galactica. The original show was awful—a cheesy Star Wars knock-off mixed with Mormon propaganda (and FYI, the story of Star Wars was heavily influenced by Akira Kurosawa’s The Hidden Fortress, so technically there’s another one). But the remake is really smart TV. Well-crafted stories, fully developed characters, and content that really makes you think about the issues being addressed in the show. And if we had listened to the people who damn all remakes on principle, we never would have gotten it.

 

Something to think about. Now I’m off to watch more BSG.

Vanguard #1 and Luther Cross #2 available now!

Vanguard 001-01The first episode of Vanguard, my new serial chronicling the adventures of a team of superheroes, is now available exclusively on Amazon!

The world has changed. A mysterious event altered the genetic structure of humanity, granting a small percentage of the population superhuman powers. A small team of these specials has been formed to deal with potential threats. Paragon—telekinetic powerhouse; Zenith—hyper-intelligent automaton; Shift—shape-changing teenager; Wraith—teleporting shadow warrior; Sharkskin—human/shark hybrid. Led by the armored Gunsmith, they are Vanguard!

Callum King’s life has fallen apart. He lost his job, his wife left him, and he was about to end it all—when he discovered he possessed the powers of a superman. Now calling himself the Exemplar, he’s declared himself the world’s first superhero, out to prove those who doubted him wrong. But his arrogance far supersedes his good intentions! Can Vanguard overcome their internal strife in order to face their first threat?

If you’re a fan of superhero comics like the X-Men or the Avengers, then you do not want to miss this new monthly series! Available for only 99¢ on Amazon or free if you’re a member of Kindle Unlimited! Buy it now!

Vanguard 000-01And if you can’t wait for the second installment of the series, there’s a special prequel episode of the series!

Want to know how Vanguard was created? Curious about the specifics of The Event that introduced specials into the world? Then you won’t want to miss Vanguard #0: The Event!

This prequel episode shows the lives of the members of Vanguard before they joined the team and why they signed up. Witness the birth of a legend right here in this exclusive episode. It’s and exclusive to subscribers, so sign up now to receive your free copy!

And also don’t forget Vanguard #2: Cold War Frankenstein, scheduled for release on February 23rd and now available for pre-order on Amazon!

This is a big day for release announcements because I’m not yet done! On the same day that Vanguard #1 came out, Pro Se Productions also released the second installment of my Luther Cross series for their Single Shot Signatures line. Here’s their press release:

Luther Cross 2 - The Ties That BindPRO SE PRODUCTIONS SINGLE SHOT SIGNATURE SERIES-
FOUR NEW STORIES TO KICK OFF 2015!

At the end of 2013, Pro Se Productions, an innovative publisher of Genre Fiction, debuted its Pro Se Single Shots line, stand alone digital only short story singles at an affordable price. Due to the success of the single self containted tales, Pro Se launched the Pro Se Single Shot Signature line in 2014. The Signature imprint still focuses on digital singles, but invited authors either write individual stand alone stories under a ‘From the Pen of…” title or a series of their own creation, either featuring connected stories or even ‘chapters’ or ‘episodes’ as well as still features single short stories or recurrent ‘chapters’ or ‘episodes’ written as short stories. The New Pulp Publisher debuts the next chapters in four of its inaugural Signature series today.

“The Pro Se Single Shot Signature line,” says Tommy Hancock, Pro Se Productions Partner and Editor in Chief, “is a project that, although it’s gotten off to a slow start, has in many ways altered how Pro Se sees publishing. We’ll continue with our traditional publishing of novels and anthologies, but the Signature imprint allows us to play with all sorts of possibilities of promotion, distribution, and accessing new readership on several levels. With schedules being sorted in the next week or two as well as multiple series and writer’s imprints debuing within the line over the next month or so, Pro Se is preparing to redefine Genre Fiction and New Pulp in 2015. And the four latest installments to the series that kicked off the Signatures are the best way to move forward.”

The four newest releases from the Pro Se Single Shot Signature line are available at Amazon and www.smashwords.com.

FLY GIRL: THE ICE QUEEN by Russ Anderson

Russ Anderson Jr’s Fly Girl returns, soaring into her second adventure in her Pro Se Single Shot Signature series as she faces The Ice Queen!

Still reeling from the events of the first story, 16 year old Caryn Clay struggles to understand her newfound abilities, her truly awesome connection with her Navajo heritage, and the attack of another strangely powered figure, known only as The Trickster. Before she can come to grips with any of that, though, a new foe presents herself. Can Caryn survive the chilling vengeance of a wronged girl? And are she and her mystical feather to blame for the destruction wrought by this frigid new enemy? Find out in The Ice Queen, Fly Girl Book Two by Russ Anderson, Jr., featuring exciting cover and logo design by Jeff Hayes and ebook formatting by Anderson. Available on the Kindle athttp://tinyurl.com/prt4yoo and for most other formats at http://tinyurl.com/q6vm3pl for only 99 cents.

LUTHER CROSS: TIES THAT BIND by Percival Constantine

Author Percival Constantine returns with another tale of Luther Cross—the only man clever enough to con Hell itself. In the second installment of Constantine’s Pro Se Single Shot Signature Series, Cross finds himself embroiled in a missing persons case and becomes dangerously entangled in Ties That Bind.

A stop for breakfast in a small diner becomes a case of life and death…and more for Cross. Overhearing a distraught woman’s plea for help to find her missing brother, Cross senses there is more than simply an absent sibling at work here. Finding themselves on their own deep in the woods, Cross and his new companion discover that small towns not only hide skeletons in the closet. There’s something much worse they keep in the barn.

Ties That Bind, the second digital single short story in Constantine’s Luther Cross Pro Se Single Shot Signature Series, features evocative cover art and logo design by Jeff Hayes and ebook formatting by Russ Anderson. The latest story in Cross’ saga is available for only 99 cents for Kindle at http://tinyurl.com/l79xflt and at Smashwords for other formats at http://tinyurl.com/o76jp2j.

MAGEE: TWO SOULS by David White

The Angel Heaven and Hell hate to see coming discovers new truths in the third installment of author David White’s Magee, a Pro Se Single Shot Series from Pro Se Productions.

Finding love in the arms of a witch, Magee seems to be finding his stride in the mortal world. That is, until a guitar wielding demon shows up, fully intent on playing Magee’s funeral song on his corpse. As the battle ensues, Magee finds himself face to face with unbelievable secrets now revealed as well as an evil older than God itself. An evil that offers Magee the world…or suffering beyond even his imagining.

David White’s Magee: Two Souls is the third digital single short story in this supernatural action Pro Se Single Signature Series and features striking art work and logo design by Jeff Hayes and ebook formatting by Russ Anderson. Get your copy for only 99 cents at Amazon for the Kindle at http://tinyurl.com/k6qcrxb and for most other formats at Smashwords at http://tinyurl.com/pqaptzy.

THE FABULOUS WORLD OF ZENITH: MY FLORIDA IDYLL, PART TWO
by Chuck Miller

Chuck Miller, the master of Psychedelic Pulp, returns with the second episode of the wildest, weirdest Pro Se Single Shot Signature Series yet. The Fabulous World of Zenith, a new and original series that will examine the world of the Black Centipede, Vionna Valis, Mary Kelly and Doctor Unknown Junior from a variety of strange and oblique angles continues on with The Journal of Bloody Mary Jane: My Florida Idyll- Part Two!

Finding herself trapped in the small Florida settlement of Cotton Mather and Ponce De Leon, Mary Jane Gallows continues on her odd mission for the now vampiric Professor Moriarty, as well as her own personal twisted journey. Strange creatures inhabit the dilapidated village surrounding the mysterious Fountain of Youth. Three men stumble their way into the crop of building and strangeness seeking a murderess, not knowing that Bloody Mary Jane is indeed among them. And Miss Gallows finds out much and yet nothing about the future, her destiny, and secrets that could mean her own demise or even better, the end of the world.

The Journal of Bloody Mary Jane: My Florida Idyll- Part Two features a fantastic cover and logo design by Jeff Hayes and ebook formatting by Russ Anderson. It is available for only 99 cents at Amazon for the Kindle at http://tinyurl.com/kxfgfme and at Smashwords for most other formats at http://tinyurl.com/pkbcslh.

For more information on these titles, interviews with the authors, or digital copies for review, contact Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com. Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Making the Choice to Unpublish

chasingthedragonIf you’ve looked at my Amazon author page or checked out the books page on this site recently, you may have noticed that Chasing The Dragon is missing from my catalogue and is no longer available for purchase digitally (CreateSpace may take some more time to remove the print versions or you might find them from resellers). The reason is because I recently made the decision to pull it from distribution.

Chasing The Dragon has long been the black sheep of my catalogue. It’s a book a wrote a while ago and I always intended to do more with Riker Stone, but it never really materialized. I wrote part of the sequel to the first book, titled Die By The Sword, before I burned out on it. It was around that time that I moved on and started Love & Bullets.

Chasing The Dragon was a pretty experimental book for me. It’s far and away the darkest thing I’ve ever written. I also experimented with point of view, writing some chapters in the first-person perspective and others in the second-person.

I didn’t mind delving into that darkness, but the experimental prose was something I’ve never fully been comfortable with. I think that’s what caused me so much trouble with the second book. I also wasn’t really satisfied with the second half of Chasing The Dragon. I still think the story behind the first half was wonderful, if too much for some people. The cover is also something I’ve never quite gotten comfortable with. I wanted something grungy, but the more I look at it with everything I’ve learned since about cover design, the more I hate it.

Recently, I’ve had reason to re-evaluate my books and this has meant some reworking of covers and branding. In some cases, this meant complete retools of some covers. I’ve already produced these new covers for the Infernum books, Love & Bullets and Outlaw Blues:

Love & Bullets - 2015 Outlaw Blues - 2015

Covers for future Infernum books will also be done in this same style so that the series link is still obvious even without the Infernum logo. I’ve also got an artist working on new covers for The Myth Hunter books. I’m happy with the current covers for SoulQuest and Fallen, so those will stay as is.

But what to do about Chasing The Dragon? That was still the big question in my mind and ultimately, I decided it was best to just retire the book for the time being. For about a year or more, I’ve been thinking about revisiting Chasing The Dragon and retooling it and now I have the opportunity to do exactly that.

I won’t do it right away, though. Right now I’m about two thirds of the way into the third Myth Hunter book, then I’m going to do the third Infernum book. Both are long overdue. I’ve also got the Vanguard serial and the Luther Cross series for Pro Se.

I will revisit Chasing The Dragon at some point and bring back Riker Stone in a way that the character deserves. But it’ll be a little later down the line.

Looking Back and Forward

amazingadventures3dSo the year has come to an end. I only put out one new release in 2014, and that was the first Luther Cross story for Pro Se’s Single Shot Signatures line. But despite that, it was a pretty productive year. I completed the entire first season of Vanguard, which clocks in at just shy of 100,000 words. I also wrote the first two Luther Cross stories, so another 20,000 words there and I penned a story for one of Airship 27’s upcoming Sinbad anthologies, another 15,000 words. So in total, I wrote about 135,000 words, making it my most productive year by far in terms of writing.

I also spent a lot of time doing research. Taking a hard look at what works and what doesn’t in self-publishing and seeing how I can apply things to my own business. I branded the books in The Myth Hunter and Infernum series with logos for each series and new covers. The Myth Hunter books will also be getting another round of new covers shortly to prepare for the release of the third book in the series (more on that in the coming months). I also went back to my first book, Fallen, and finally went ahead and put together an ebook, brand-new print version, and a new cover.

All this plus I toyed with marketing attempts on different books, trying to boost some rankings and I’ve been trying to build my platform through my article writing at WhatCulture and my podcasts. I also finally created a mailing list, something I should have done long ago.

Basically, everything I’ve done in 2014 has been building to a big 2015. The reason I chose not to release any of the Vanguard episodes until 2015 is because I wanted to have them all completed in advance. And now, the first episode is available for pre-order!

Nothing Found

The special prequel episode to the series is also available, but only to mailing list subscribers. If you’ve subscribed to my mailing list, you should have received a link to download it by now. If you’re not on the list and would like the prequel episode, then subscribe now!

I’ve also teamed up with Derrick Ferguson, Mark Bousquet and Joel Jenkins to compile Amazing Adventures: 4-Book Action-Packed Box Set. This set features Derrick’s Dillon and the Last Rail to Khusra, The Lost Continent by me, Mark’s Gunfighter Gothic: Under Zeppelin Skies, and Joel’s On Wings of Darkness. These books would normally cost $2.99 individually, but you can get all four for only 99¢. The set is now available and I’d advise you to pick it up while you can, because it won’t be on the market forever.

Nothing Found

2015 promises to be a big year. Each month will see the release of another episode of Vanguard and then I’m planning for a June release of Curse of the Necronomicon, the third book in The Myth Hunter series. Luther Cross will also see new releases quarterly and I’ve got plans for the second half of the year that I’m going to finalize once I finish Curse of the Necronomicon.

There are some other things in the works that I can’t quite talk about yet. But 2015 promises to be a very big year.

Luther Cross: The Reckoning now available!

Luther Cross 1 - The ReckoningHELL KNOWS NO FURY…UNTIL NOW.
NEW PRO SE SINGLE SHOT SIGNATURE SERIES DEBUTS- ‘LUTHER CROSS’ BY PERCIVAL CONSTANTINE

Continuing with its innovative approach to Genre Fiction and New Pulp, Pro Se Productions announces the debut of its newest Pro Se Single Shot Signature series of digital singles. Author Percival Constantine brings an occult action thriller to the Signature line centered around a man who has literally been through Hell. The Reckoning: Luther Cross Book One is now available from Pro Se Productions.

“Luther Cross,” says Tommy Hancock, Partner in and Editor in Chief of Pro Se Productions, “is a character and a series that will strike a few notes with Genre fans. It has a definite horror/supernatural angle to it and the action sequences sing like fine bloody opera, but the real fun here is the main character himself. Luther is simultaneously a skilled troubleshooter of all things strange and beyond and a man with his own troubled history, which definitely colors his view on the world. Also, Percival instills Cross with this sort of relaxed, deliberate approach to the world around him, both of them, and that makes the character both likable and more approachable to readers.”

Pro Se Productions goes to Hell and back with the debut of its newest Single Shot Signature Series. Author Percival Constantine introduces readers to the enigmatic, inexplicable Luther Cross.

Luther Cross has been through Hell—literally. Born of a mother he watched die, conceived as part of a demonic ritual, and raised by monks after being saved by a mysterious, murderous individual, Cross now makes what living he does through confidence schemes…and the death of demons. What led to a school shooting in a small town, and why is there a mystic component involved? The spirits of the victims call out for help, and only Luther Cross can answer their cries.

“Ebooks,” says Constantine, “have changed the entire market and I’m thrilled to be part of Pro Se’s efforts to take full advantage of the format with the Single Shot Signatures. With the ability to quickly and cheaply publish stories, eBooks are the pulp paper of the new millennium.”

The Reckoning: Luther Cross Book One features stunning cover art and design by Jeff Hayes, main title logo by Constantine, and eBook formatting by Russ Anderson. The first issue of the latest Pro Se Single Shot Signature Series is available for the Kindle via Amazon and for most eBook formats at www.smashwords.com for only 99 cents.

For more information on this title, interviews with the author, or digital copies for review, contact Morgan McKay, Pro Se’s Director of Corporate Operations, at directorofcorporateoperations@prose-press.com.

For more information on Pro Se Productions, go to www.prose-press.com.Like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Nothing Found

Amazon wants my help now?

avhToday, I received a very interesting email from Amazon:

Dear KDP Author,

Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year.

With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion.

Well… history doesn’t repeat itself, but it does rhyme.

Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive.

Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers.

The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books.

Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive.

Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We’ve quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.

But when a thing has been done a certain way for a long time, resisting change can be a reflexive instinct, and the powerful interests of the status quo are hard to move. It was never in George Orwell’s interest to suppress paperback books – he was wrong about that.

And despite what some would have you believe, authors are not united on this issue. When the Authors Guild recently wrote on this, they titled their post: “Amazon-Hachette Debate Yields Diverse Opinions Among Authors” (the comments to this post are worth a read).  A petition started by another group of authors and aimed at Hachette, titled “Stop Fighting Low Prices and Fair Wages,” garnered over 7,600 signatures.  And there are myriad articles and posts, by authors and readers alike, supporting us in our effort to keep prices low and build a healthy reading culture. Author David Gaughran’s recent interview is another piece worth reading.

We recognize that writers reasonably want to be left out of a dispute between large companies. Some have suggested that we “just talk.” We tried that. Hachette spent three months stonewalling and only grudgingly began to even acknowledge our concerns when we took action to reduce sales of their titles in our store. Since then Amazon has made three separate offers to Hachette to take authors out of the middle. We first suggested that we (Amazon and Hachette) jointly make author royalties whole during the term of the dispute. Then we suggested that authors receive 100% of all sales of their titles until this dispute is resolved. Then we suggested that we would return to normal business operations if Amazon and Hachette’s normal share of revenue went to a literacy charity. But Hachette, and their parent company Lagardere, have quickly and repeatedly dismissed these offers even though e-books represent 1% of their revenues and they could easily agree to do so. They believe they get leverage from keeping their authors in the middle.

We will never give up our fight for reasonable e-book prices. We know making books more affordable is good for book culture. We’d like your help. Please email Hachette and copy us.

Copy us at: readers-united@amazon.com

Please consider including these points:

– We have noted your illegal collusion. Please stop working so hard to overcharge for ebooks. They can and should be less expensive.

– Lowering e-book prices will help – not hurt – the reading culture, just like paperbacks did.

– Stop using your authors as leverage and accept one of Amazon’s offers to take them out of the middle.

– Especially if you’re an author yourself: Remind them that authors are not united on this issue.

Thanks for your support.

The Amazon Books Team

I did not email Hachette as they asked, in fact I removed the email of Hachette’s CEO from this quote (you can find it yourself if you so desire). I honestly could not care less about Hachette. Screw ’em, not my business.

But Amazon’s gall here is what has annoyed me.

Yes, Amazon has been very good for me as an independent author. But they could also be a whole lot better. And you know how they could be better? By not paying lip-service to being rah-rah indie.

Other ebook vendors give self-published authors the ability to set their books for free for any length of time, even if you make those books permanently free. That’s your choice. Amazon lets you do this…if you’re enrolled in KDP Select and give Amazon exclusivity over your book. And even then, you’re given a maximum of five days to set the book free during a 90-day period.

Other ebook vendors offer self-published authors the ability to accept pre-orders for their books. Amazon does not allow self-published authors to do this at all. In fact, it’s something specifically reserved for traditional publishers.

Last month, Amazon unveiled Kindle Unlimited, where for $10 a month, subscribers get to read as many books as they like. Traditional publishers and a select few self-published authors are given 60% of the list price for every borrow, and they can still sell their books outside of Amazon. The rest of us must be exclusive to Amazon and we get a percentage of an arbitrary fund Amazon sets aside for us. In contrast, Scribd and Oyster give self-published authors 60% of the list price and no exclusivity requirement.

So I’ll make a deal with you, Amazon—give me the same deals you give traditional publishers. Give readers the ability to pre-order my books. Give me 60% of the list price of KU borrows without forcing exclusivity on me. Give me the right to make my book free whenever I want and for however long I want without forcing exclusivity on me.

Do those things, and then maybe I’ll consider stepping up to the plate for you.

Until then, you can fight your own battles. Keep me out of your pissing contest with Hachette.

Announcing Pro Se Single Shots!

Luther-Cross-logoPro Se Productions has just announced a new line, the Pro Se Single Shot Signatures.

The line features thirty-eight writers who will be producing stories, ranging between 3000-15000 words, on a consistent basis. They will either be an original series featuring recurring characters, or individual stand-alone tales with the unifying title of “From The Pen of…” followed by the author’s name. These short tales will be released in digital format only (print collections at a later date are a possibility, though) at a price point of 99¢ per story.

When Tommy Hancock, Pro Se Editor-in-Chief, invited me to this line, I wasn’t sure I would say yes. I’m already planning on doing something similar on my own, with the Vanguard series I’m currently writing and with other ideas waiting in the wings. However, I decided to take advantage of the opportunity and experiment with a different publisher.

To that end, I’m happy to announce that I will be writing Luther Cross, one of the Pro Se Single Shot Signatures!

Luther Cross is a demon/human half-breed, who has grown into a paranormal investigator. Possessing some degree of demonic abilities as well as knowledge of magic and the occult, Cross makes his living hunting down demons, ghosts, and other creatures of the night.

I originally conceived of Luther Cross several years ago and I began work on an introductory novel featuring the character. Unfortunately, the novel was never completed, but Luther stuck in my head and I always wanted the opportunity to get back to writing him at some point in the future.

I’m very excited to have the opportunity to revisit him in this new format. It’s one that I think suits the kind of stories I’m planning to tell with Luther far better than the format of a novel. In fact, I’ve already completed the first tale and sent it off.

Below you can read the full press release from Pro Se Productions. More information will definitely come:

PRO SE PRODUCTIONS TAKES SHORT FICTION TO THE NEXT LEVEL

A leading independent publisher of Genre Fiction, Pro Se Productions announces an innovative new Fiction line today.

In 2010, Pro Se Productions debuted as a small press focused on ‘Puttin’ The Monthly Back into Pulp!’ The company originally produced a line of three magazines that featured ‘New Pulp’ short stories, that is stories written by modern writers very much in the style and feel of tales featured in classic Pulp magazines in the early 20th Century. When Pro Se made the move into publishing novels and short story anthologies, it closed the magazine line, only to restart the concept as a single magazine title due to popular demand. PRO SE PRESENTS grew into an award winning magazine that ran for 20 issues, its final installment released in February 2014. With the end of the magazine, Pro Se Productions closes one era to enter another, one that readers got a taste of in December of 2013.

“We are always,” says Tommy Hancock, Partner in and Editor-in-Chief of Pro Se, “focused on producing the very best in New Pulp and Genre Fiction in all aspects, including the format which we present it in. It’s no secret that Publishing in the last five years, particularly for independent presses such as Pro Se, has moved more and more into the digital realm. Not only can readers carry more books around on their Ereaders or their phones, but the price point is tremendously better in most cases over print books. Digital publishing also affords writers and publishers to produce any size work they wish, including single short stories that can be offered for less than a dollar each. Pro Se Productions decided to dip its foot in that pool and in December we held a grand opening of sorts for our new imprint- Pro Se Single Shots.

“The success we had,” continues Hancock, “with the first volley of Single Shots was quite amazing. No one’s getting rich on them, but the interest readers showed in being able to drop 99 cents and get a good, solid short story that they could read in a single sitting was staggering to us right out of the gate. This combined with the fact that our second magazine line had run its course we felt in its current format, gave us a few ideas. Chief among them was the fact that we could take each story that would have appeared in a PRO SE PRESENTS and offer it individually to readers in a digital format. That way a mystery fan could pick up the mystery stories he or she wanted for a reasonable price without having to feel like they were buying other stories they may not enjoy. But an even more intriguing idea presented itself rather quickly.

“The concept of digital singles affords Pro Se the ability to really bring the concept of Pulp storytelling and even, in a indirect way, the idea of recurring tales from a consistent stable of authors on a regular schedule –much like classic Pulps did- into the 21st Century. This kernel of an idea took root with us rather quickly and brings us now to possibly the most exciting announcement Pro Se has made in a long time. Pro Se Single Shot Signatures.”

The Pro Se Single Shot Signature line brings together 38 writers from across the spectrum of Genre Fiction. Each of these authors will be producing either an original series of his/her creation featuring recurring characters and concepts or writing an imprint of individual stand alone stories entitled ‘From The Pen of…’ and the author’s name. Multiple genres are represented, from jungle tales to horror stories to some that defy description.

Regardless if an author is doing a series or imprint, they will all be working on a regular production schedule established based on their own ability to produce quality work. Some will produce stories on a bi weekly, monthly, bi monthly, quarterly, or bi annual schedule. Each story will range in length from 3,000 to 15,000 words. Also, debuts of the individual series and/or imprints will be spread out over the remaining months of 2014, with at least three titles debuting in April.

Pro Se Productions proudly announces the inaugural cast of authors in the Pro Se Single Shot Signatures line. They include:
David Foster
PJ Lozito
Russ Anderson
Sean Taylor
Teel James Glenn
Fuller Bumpers
Tommy Hancock
Morgan Minor
Mark Bousquet
Philip Athans
Jim Beard
I. A. Watson
Joshua Reynolds
Bobby Nash
Greg Norgaard
Mark Gelineau
J. Walt Layne
Nikki Nelson-Hicks
D. Alan Lewis
H. David Blalock
Gary Phillips
Sean E. Ali
Barry Reese
Percival Constantine
Jeremy Hicks
Logan L. Masterson
Chuck Miller
Alexander S. Brown
Adam Lance Garcia
David White
Kevin Rodgers
Derrick Ferguson
Aaron Smith
Frank Schildiner
Brad Mengel
Richard White
Terry Alexander
Terrence McCauley

Each Pro Se Single Shot Signature Series and Imprint will feature cover art by Artist Jeffrey Hayes.

If the author of a series or imprint chooses to, print collections of his or her stories will be produced at later dates as agreed upon by Pro Se and the individual creator. Hancock also stated that Pro Se will continue to produce stand alone Single Shots as they did in December and again in March.

“The Signature line,” Hancock says, “is a very exciting prospect for Pro Se, the authors and artist involved, and the readers I believe. It puts these fantastic New Pulp tales in a quick, easy to digest format, makes them inexpensive, and opens readers up to a whole host of ideas and authors that they may never have been exposed to otherwise for whatever reason. It may not be the same feel as having a paper magazine to fold up in your hand, but the Pro Se Single Shot Signatures line definitely makes Puttin’ The Monthly Back into Pulp something Pro Se can do in a big way.”

In coming days, news concerning the individual authors and the series and/or imprints they are working on as well as production schedules will be released from Pro Se Productions.

For More information on Pro Se Single Shot Signatures, to be placed on a review list for upcoming releases, or for interviews with the authors involved, please contact Morgan Minor, Director of Corporate Operations for Pro Se, at directorofcorporateoperations@prose-press.com.

To learn more about Pro Se Productions, go to www.prose-press.com and like Pro Se on Facebook at www.facebook.com/ProSeProductions.

Ron Fortier tackles SoulQuest!

Ron Fortier has just posted up a review of SoulQuest at Pulp Fiction Reviews. Here’s a bit of what he had to say:

“Soul Quest” reminded me a great deal of those early Ace Paperbacks in which I first discovered science fiction and fantasy as a teenager.  The action never stops; the heroes are true romantic rogues in the classic sense and the villains as dastardly as they come.  For a big book, “Soul Quest” moved at such breakneck speed, I read through it quickly only to be both satisfied and sad to see it end.  Zarim and the crew of the Excalibur are wonderful characters and I really am keeping my fingers crossed we’ll see them again soon.

Thank you for a wonderful review, Ron! If you want to see why Ron’s raving about this book, then what are you waiting for? Go pick up a copy of your own!

SoulQuest

SoulQuest

Author: Percival Constantine
Genres: Adventure, Fantasy, Science Fiction, Steampunk
Tag: Standalone
Publisher: Pulp Corner Press
Publication Year: 2013
Length: 350 pages
ASIN: B00GZ0CF4I
ISBN: 1491262346

In a world of magic and monsters, a ragtag group of pirates, ex-soldiers, mystical beings and creatures of the night must seek out powerful artifacts to prevent a twisted sorcerer from gaining godlike power!

About the Book

In a world where magic and technology exist side by side, Zarim and his crew of sky-pirates live on the fringes of society, stealing what they can and evading the authorities. But a debt of honor compels Zarim to take on the dangerous task of seeking out five mystic artifacts before a sorcerer with power both mystic and political can obtain them. Zarim and his crew must seek out unlikely allies and traverse uncharted territories filled with all manner of strange beings. For if they fail in their quest, control over reality itself will fall into the darkest of hands!

SoulQuest reminded me a great deal of those early Ace Paperbacks in which I first discovered science fiction and fantasy as a teenager. The action never stops; the heroes are true romantic rogues in the classic sense and the villains as dastardly as they come.
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Don’t Be Petty

Author Lynn Shepherd recently wrote a blog post for the Huffington Post entitled “If JK Rowling Cares About Writing, She Should Stop Doing It.” A lot of people, myself included, have a lot of problems with this article. Let’s have a look at why:

I didn’t much mind Rowling when she was Pottering about. I’ve never read a word (or seen a minute) so I can’t comment on whether the books were good, bad or indifferent. I did think it a shame that adults were reading them (rather than just reading them to their children, which is another thing altogether), mainly because there’s so many other books out there that are surely more stimulating for grown-up minds.

Okay, let’s stop for a minute. Right off the bat, Shepherd comes off as an elitist snob. “You must read books that are intellectually stimulating. If it’s a children’s book, or if it involves fantasy, then it cannot be intellectually stimulating.” By Shepherd’s own admission, she’s never even read any of the Harry Potter books. Just the very notion that adults would dare to read something that doesn’t fit in Shepherd’s narrow-minded definition of “intellectually stimulating” is enough for her to take issue. Adults should read whatever books they like and the elitists like Shepherd should stay in their ivory towers and leave us common folk to our own devices.

It would have been bad enough had Shepherd just stopped there. But she decided to keep going. Because, you see, if you’re not a big name writer, apparently Rowling is destroying your career. Because Rowling wrote The Casual Vacancy and apparently Shepherd is annoyed that people bought it instead of her books:

It wasn’t just that the hype was drearily excessive, or that (by all accounts) the novel was no masterpiece and yet sold by the hundredweight, it was the way it crowded out everything else, however good, however worthwhile. That book sucked the oxygen from the entire publishing and reading atmosphere. And I chose that analogy quite deliberately, because I think that sort of monopoly can make it next to impossible for anything else to survive, let alone thrive. Publishing a book is hard enough at the best of times, especially in an industry already far too fixated with Big Names and Sure Things, but what can an ordinary author do, up against such a Golgomath?

This line of thinking is, of course, patently ridiculous. What Shepherd is essentially doing is blaming her lack of success on Rowling’s success. Where I come from, we have a word for this: it’s called petty-minded jealousy. Not to mention a lack of personal responsibility.

But Shepherd decided to then go further:

So this is my plea to JK Rowling. Remember what it was like when The Cuckoo’s Callinghad only sold a few boxes and think about those of us who are stuck there, because we can’t wave a wand and turn our books into overnight bestsellers merely by saying the magic word. By all means keep writing for kids, or for your personal pleasure – I would never deny anyone that – but when it comes to the adult market you’ve had your turn. Enjoy your vast fortune and the good you’re doing with it, luxuriate in the love of your legions of fans, and good luck to you on both counts. But it’s time to give other writers, and other writing, room to breathe.

If I were Rowling, my response to this would be, “who the hell do you think you are, lady?” What gives Shepherd the right? And more than that, her arrogance knows no bounds—she’s not standing up for all writers who might be affected by Rowling’s success (which is total nonsense but I’ll get to that in a minute), she’s only standing up for her. Look at what she says: “By all means keep writing for kids.” Or in other words, “you can take away sales from other writers, just not me.”

Now, as to why this whole notion is nonsense. It’s been said that a rising tide lifts all boats. And in reality, Shepherd should be thanking, not condemning, Rowling. Because fans of the Harry Potter series may not have ever tried reading books like The Casual Vacancy or The Cuckoo’s Calling. But thanks to Rowling, now they very well might. And if they like what they read, they might seek out other books in those genres. Perhaps books like the ones written by Lynn Shepherd.

Well…that might have happened. Had Shepherd not seen fit to publicly order Rowling to stay out of her territory as if the publishing world was akin to gangland turf (although that might be kind of fun if it were).

I’m by no means a successful author. Even in the world of New Pulp, I’m not as successful as the likes of Barry Reese, Bobby Nash, Derrick Ferguson, Van Allen Plexico, or others. But do you know what I’ve never done? I’ve never said, either publicly or privately, that the reason my books don’t sell is because of these other New Pulp writers. It’s flat-out idiotic.