Pay the Writer

shakespeare-got-to-get-paidRecently, a fellow New Pulp author posted on Facebook saying that he was asked by someone if he could make a living off his writing and he tried not to laugh. Another New Pulp author said that he has family members who are convinced he’s sitting on mountains of cash from his writing career and is lying when he says otherwise.

It’s an unfortunate truth that the vast majority of us writing in New Pulp still have to have day jobs, because we do not make enough off of our writing to live off of. Even if I were making enough money from my writing to live off of, I’d still need a day job for visa purposes (the joys of dealing with the Japanese immigration system).

So when my fellow writers tell me they aren’t making enough to live off of, I nod my head in sad agreement. But what gets me is that invariably there’s someone who will come along with the “true writers write for the joy of writing, not for the money.”

That kind of mentality drives me nuts.

I’m going to post this quote from an interview with Harlan Ellison:

They always want the writer to work for nothing. And the problem is there’s so goddamn many writers who have no idea that they’re supposed to be paid every time they do something. They do it for nothing!

I love writing. Novels, novellas, short stories, comics, film and TV scripts—I love it. If I made enough money off writing to live comfortably, then I’d quit my day job so fast, it’d make your head spin. But the notion that artists don’t or shouldn’t care about money, that they’re “sell-outs” if they use their art to earn a paycheck, is just flat-out nonsense and it’s something I’m sick and tired of hearing.

If a carpenter loves his job, would you expect him to build you a table for free? If a mechanic loves his job, would you expect him to fix your car for free? If a chef loves his job, would you expect him to cook your food for free?

Absolutely not. So why is it with the arts there’s always this idea of “well if you’re a true artist, you’ll do it because you love it, not because you want to get paid.”

Fuck. That.

If you think I’m not trying to build a career out of my writing, a career that pays the bills and provides for my family, then you are out of your freaking mind. If I didn’t want money for my writing, I would only write fanfiction. If I didn’t want money for my writing, I would post up all my stuff on Wattpad and not even bother with publication. If I didn’t want money for my writing, I wouldn’t pay for cover design.

Money isn’t the only reason why I write, but it absolutely is a factor. Anyone who sells their writing and says otherwise is flat-out lying. And it’s because we’ve built up this image in our culture of the noble starving artist, slaving away at his craft not because he’s trying to enrich his soul instead of his bankbook.

Kill the starving artist. Stop perpetuating that stereotype. Because it’s that stereotype that leads to people thinking they can exploit writers and artists by getting them to do work for free.

Writers may not be laying brick or performing life-saving operations or stopping violent crimes or anything like that. But it’s still work. It’s a valuable service that people need. Writers who make a living off their art aren’t whores or sell-outs—they’re smart.

Self-Publishers: Hold Yourselves to a Higher Standard

Last month, Chuck Wendig posted an entry on his terribleminds blog, entitled Self-Publishing Is Not The Minor Leagues. Like a lot of Chuck’s posts, it’s a great read. I’m just going to quote a small portion of it, because you should read the whole thing:

The attitude that pervades self-publishing is that it’s a good place to test your craft, to hone your work. We are reminded constantly that the cream floats to the top, that all the crappy self-publishing efforts have no effect on anything or anybody ever despite evidence to the contrary. The culture forgives and sometimes congratulates even the most meager of efforts because of how courageous someone is to take the plunge to publish their own work. The culture says, “Just click publish!” The culture criticizes the faults of traditional-publishing, but excuses (or celebrates) its own. And yet, sometime in the same breath, self-publishing gets painted as a path to traditional publishing, not as a path separate and scenic all its own.

The culture is full of contradictions.

One of the things that he talks about is that self-publishers should be more critical. The basic gist of it is this: if you think your writing is good enough to complete with traditional publishing, then you should make sure that it is presented as professionally as traditionally-published books.

That means revising. That means proofreading. That means editing (and that means getting someone else to edit it as well). That means formatting it properly. That means either designing a professional cover or hiring someone to do it for you.

Now to me, that all sounds pretty non-controversial, right?

Well apparently, I was wrong. Because it has set off a firebomb in the self-publishing community. The entry generated 217 comments, and not all of them were agreeing with Chuck. Over at kboards, there was a lot of pissing and moaning about it, so much that Chuck posted a follow-up. Then there was another post. And another.

You can read some of the comments from people who vehemently disagree with Chuck. As usual when someone suggests a bit more self-criticism, there have been cries and shouts of, “YOU’RE TRAMPLING ON OUR FREEDOM!” One person said that mediocrity and half-assed books should be celebrated and then, in the same post, said that no one is suggesting that self-published books shouldn’t be the best they can be.

joker-not-sure-if-serious

Yeah, I know. I was confused, too.

Here is a fact about self-publishing: it has a terrible reputation. Fairly recently I had a conversation with someone who said that if it’s not good enough to be accepted by a publisher, it’s not good enough to be published, period. Yes, that is a very ignorant way of thinking, but it’s also, unfortunately, not uncommon.

And this race-to-the-bottom, anything goes, “it’s okay if your book looks like shit” mentality does not help. It only encourages the thinking among the general public that self-publishing is a toilet. The fact that a site like Lousy Book Covers even exists is not encouraging.

Is it true that all self-published books are crap that no self-respecting publisher would ever touch? Absolutely not. Is it true that all traditionally-published books are staggering works of brilliance? Hell no. There are both self-published books that are far superior to traditionally-published books, and there are both self-published and traditionally-published books I wouldn’t deem good enough to throw in my fireplace (if I had a fireplace).

If you want to be taken seriously as a professional writer, then you need to start approaching your work with the mindset of a professional.

I’ve seen some retorts to this. Like “well people can browse free samples on Amazon and then they’ll know if a book is worth their time.” Say you need five pages before you decide whether or not a book is worth your money. So you read five pages of one book. It’s poorly edited (if edited at all), there are grammar and spelling mistakes that would cause your high school English teacher to smash the blackboard, and the formatting is sloppy. So you then go to another book. Same problem. And another. And another. Say you go through the first five pages of ten books and they’re all terrible. That’s fifty pages you’ve just read. Would you keep going or would you stop and jump over to the best-seller lists?

This isn’t just speculation—this is stuff I’ve heard from readers. There are a great many people who have sworn off self-published books because of problems like this.

Yes, you learn things over the course of a writing career. Yes, your first book will be much different from your tenth book, because you’ve learned a lot over that time. You learn more about characterization and description. You learn more about pacing and plotting. You learn more about marketing. But one thing you should not be learning as you go is, “wow, I guess Comic Sans is not a good font choice for a cover.” One thing you should not be learning as you go is, “huh, maybe it would have been a good idea to revise this before I published it.”

Here’s a little test you can do: go to your local bookstore or library and find a traditionally-published book that you think is terrible. Look at the cover. Flip through the pages. Regardless of the quality of the story, do you know what you will not find? You will not find an abundance of grammatical and spelling errors. You will not find poor formatting. You will not find Comic Sans anywhere on the cover. Regardless of the story inside, the product has a professional standard. That’s what I’m talking about—hold your book to that same standard.

Self-publishing is easier than ever. You could drink an entire bottle of tequila, bang out a few thousand words on your computer, and then upload the file to KDP without even looking twice at it. You could also spend your entire weekend sitting in your own feces because you don’t want to get up from the couch while binge-watching Breaking Bad on Netflix.

Or in other words, just because you can do something doesn’t mean you should do it.

The point of turning off your internal editor when writing your first draft is so you can just get it out there. But once that draft is finished, you have to turn that internal editor back on and let him go ape-shit on your manuscript. Then you should revise it and hand it over to someone else. And you should format it to a professional standard, regardless of if it’s an ebook or a print book. And then you should design a professionally-looking cover.

And yes, if you cannot do this, then you may have to pay someone. Don’t give me that crap about how “it’s too hard” or “I can’t afford it”—either buckle down and do the work, or save up until you can afford it.

There is no excuse for shoddy products. Self-publishing is great, it’s opened a lot of doors for me that would have otherwise remained closed. If you want your work to be taken seriously, then you have to take it seriously yourself. If you want to be treated like a professional, then act like a professional.

If that’s too much to ask, then please go somewhere else. Because you’re only hurting the rest of us.

 

EDIT: This post has recently gotten some new traffic. And since I’ve already had to deal with one person who evidently thought it would be more fun to simply skim the post and then call me to task for things I never even said (all while ironically badmouthing me for making false assumptions), I’m going to lay a new ground rule: comments are moderated. I don’t put up with any bullshit here. If you’re not going to play nice, then your comments will be marked as spam. Simple as that.

Write a Review, Get a Free eBook!

free-ebookWould you like a free ebook?

Have you picked up a copy of my epic fantasy novel, SoulQuest?

If the answer to both of those questions is yes, then I’d like to ask if you’d be kind enough to post a review of the book, either on Amazon or Goodreads. And to express my appreciation, you’ll receive a free ebook of your choice!

Once you’ve posted your Amazon or Goodreads review, copy the link and then please click here, take a look at the available books, and then fill out the form at the bottom of the page. When I receive the form, I’ll send you your free ebook within a few days!

Thanks for your support!

99¢ Pulp! New Year’s Sale!

99cent

Yesterday, I announced a Kindle Countdown sale where my latest book, SoulQuest was available from Amazon for only 99¢!

But why stop there? Instead, I’m having a huge sale to ring in the New Year!

Until January 5th, you can get SoulQuest from Amazon for 99¢, but you can also get the following books for the same price!

Chasing The Dragon, Love & Bullets, Outlaw Blues, The Myth Hunter, and Dragon Kings of the Orient are all available for 99¢ as well, and will remain that way throughout the month of January!

Head on over to the individual pages linked above, where you can find buy links for your e-reader of choice! Note that some venues may take longer to show the change than others, in which case you can go to my Smashwords page to get them in whatever format you choose!

Here’s to a very pulpy 2014!

SoulQuest is now on sale!

soulquestSoulQuest, my new epic fantasy novel, is now on sale on Kindle for only 99¢! Click here to go directly to Amazon to pick up your copy right now!

With a list price of $4.99, that means this Kindle Countdown Sale will save you 20% off the cover price!

But you need to hurry, because this countdown sale will only last until January 5th! So run on over to Amazon to get your copy before it’s too late! What better way to spend those Amazon gift cards you got than on a discounted book?

SoulQuest is an action-adventure epic fantasy novel, set in a world where magic and technology co-exist side by side. The sky-pirate Zarim and his crew, the thief Ekala and the faerie exile Swul, get tasked with locating the five mythical Soulstones before the twisted sorcerer Lord Vortai can obtain them! Along the way, the crew will meet up with an ex-soldier, a newly-turned vampire, the chieftain of a tribe of cat-people, and more!

What are you waiting for? Go buy it now!

Podcasting!

podcastIn case you’re unaware of my latest podcast endeavors, then let me take a minute to let you know what else I’m up to besides writing, editing, and formatting.

I currently run two podcasts. The first is The Exploding Typewriter: Pulp Writers on Writing Pulp, and as you can probably imagine from the title, that is a podcast about pulp writers discussing their craft. Every episode, I have a different guest come on and talk about some aspect of writing pulp. To date, I’ve had Tommy Hancock, Ron Fortier, Barry Reese, Derrick Ferguson, and Jim Beard on the show, and future guests will include Richard Lee Byers, Russ Anderson Jr., Mat Nastos, Joel Jenkins, Bobby Nash, and probably a whole lot more. And if you’re a pulp writer who hasn’t gotten in touch with me about being on the show, then please do so immediately! Details can be found at the above Exploding Typewriter link.

The second podcast is The Geek Screen, which is hosted by myself and Juan Bracich. Juan (or Johnny as I call him) are old college buddies who would always watch comic book movies together and then talk about them after over drinks. Since I moved to Japan, we obviously can’t do that as much any more, but we still get together on Facebook and Skype and shoot the shit about those movies. So one day, I decided we should record these chats and the result is The Geek Screen! Every episode, we discuss a little bit about news related to comic book movies and then we focus the bulk of the episode on one movie or TV show. So far, we’ve covered Arrow, The Wolverine, and Iron Man 3, with our next episode on Man of Steel.

Give both a listen, drop me some comments about how you like them, and leave a review on iTunes if you can, so we can bring more attention to both shows!

Also in the world of podcasting, I recently made my third appearance on PULPED! The Official New Pulp Podcast. In this episode, Tommy Hancock and I talk about SoulQuest, my latest novel, so please give it a listen and then head on over to Amazon and pick yourself up a copy!

Happy Holidays from PulpWork Press!

pulpworkxmas2013Hope you all have been enjoying your Christmas, Kwanza, Hanukkah, Festivus, Winter Solstice, or whatever else you might celebrate at this time of year. My Christmas day was spent doing a lot of work, but don’t worry, dear reader, I haven’t forgotten your present.

Or I should say those of us at PulpWork Press haven’t forgotten your present.

At the moment, the PulpWork Christmas Special 2013, featuring stories by Joel Jenkins, Josh Reynolds, Russ Anderson, and myself, is now available for FREE on the Amazon Kindle store! Click here to get your copy now!

So what will you get in this book? Well, you’ll get the following four tales of yuletide murder and mayhem!

The Third Death of Henry Antrim: Royal Occultist Charles St. Cyprian and his companion-in-arms, the lovely, gun-toting, and slightly bloodthirsty Ebe Gallowglass, discover murder most foul, a holy relic in the form of a Colt .45 pistol, and an evil sprung up from the wildlands of the weird west.

Malcom Destroys Christmas: A seven-year-old boy swears vengeance upon Santa Claus and the malign menace known only as Krampus decides to enlist him in a dastardly plot against Father Christmas.

The Shadow Killers: Cold-hearted assassin Monica Killingsworth finds herself the reluctant, but extremely well paid, escort of a small child and becomes the target of merciless killers, some of which she has worked with before. But Killingsworth knows a thing or three about assassination and bullets, blood, and bombs fly on Christmas day.

And Myth Hunter fans, you also get this tale!

The Wild Hunt: When the vulpine changeling Asami encounters a restless spirit wandering the icy slopes of Kurodake, Japanese legend clashes with Norse mythology and she finds herself caught up in the midst of a mythic hunt.

So what are you waiting for? Go get your copy right now!

GaijinPot

new_gp_1Today, I wanted to take some time to talk a little about GaijinPot. Now, I’m going to be straight with you—GaijinPot does advertise on my site. But I wouldn’t accept advertising dollars for anything I don’t personally find useful. I’ve written several pieces about living in Japan for GaijinPot, but recently they’ve made some changes to their site.

First off, if you’re looking for work in Japan, particularly if you’re looking for work in some of the more populated areas, GaijinPot is a great site to check out. My current job teaching English in elementary schools was obtained through GaijinPot’s website. I was able to craft my resume on their site and then save it, and with a click of a button, I could submit it to any number of employers I found. Fortunately, I was also able to find a job close to the area I currently live in, which was very important to me as I didn’t want to relocate somewhere far away.

GaijinPot’s job search forum has been standard for a while, however. They’ve recently expanded to other areas, where you can find information about travel in Japan and listings for hotels or information about studying in Japan, including information about language schools throughout the country. They’ve also got a section for apartment hunting, and they’ve also got a new podcast called the GPod, hosted by Anthony Joh, which I’ve found to be very entertaining.

If you’re in Japan, or if you’d like to come out here, GaijinPot should really be your first stop.

SoulQuest is now available for sale!

soulquestIt’s been a long time coming, several years in the making, in fact! But SoulQuest, which was birthed as an idea for a comic book many years ago and then later morphed into a novel is now available for sale!

Featuring a stunning cover courtesy of Brad Horton, SoulQuest focuses on the character of Zarim, an expert swordsman and captain of the Excalibur, an airship from which he and his crew commit acts of piracy. Joined by his lover, Ekala, and the gruff faerie Swul, they are given a new task—to seek out the legendary Soulstones, artifacts which can grant godlike power to anyone who possesses all five.

Their quest takes them to the edges of the planet, and beyond! Throughout their journey, they will meet and join with a colorful array of allies and face some of the greatest threats ever known to man!

Just in time for Cyber Monday, SoulQuest is available in print and digital formats from Amazon, with later sales channels opening up in the near future!

 
SoulQuest

SoulQuest

Author: Percival Constantine
Genres: Adventure, Fantasy, Science Fiction, Steampunk
Tag: Standalone
Publisher: Pulp Corner Press
Publication Year: 2013
Length: 350 pages
ASIN: B00GZ0CF4I
ISBN: 1491262346

In a world of magic and monsters, a ragtag group of pirates, ex-soldiers, mystical beings and creatures of the night must seek out powerful artifacts to prevent a twisted sorcerer from gaining godlike power!

About the Book

In a world where magic and technology exist side by side, Zarim and his crew of sky-pirates live on the fringes of society, stealing what they can and evading the authorities. But a debt of honor compels Zarim to take on the dangerous task of seeking out five mystic artifacts before a sorcerer with power both mystic and political can obtain them. Zarim and his crew must seek out unlikely allies and traverse uncharted territories filled with all manner of strange beings. For if they fail in their quest, control over reality itself will fall into the darkest of hands!

SoulQuest reminded me a great deal of those early Ace Paperbacks in which I first discovered science fiction and fantasy as a teenager. The action never stops; the heroes are true romantic rogues in the classic sense and the villains as dastardly as they come.
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Disclosure of Material Connection: Some of the links in the page above are "affiliate links." This means if you click on the link and purchase the item, I will receive an affiliate commission. I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising."

Japan Writers Conference

jwcNow that I’ve had some time, I wanted to talk a bit more about the Japan Writers Conference. I’m not sure how I stumbled upon their website back in the spring, but I was extremely excited once I did. Even more excited when I saw they were accepting proposals for presentations.

Immediately, I put together two presentations I had ideas for. One was on self-publishing and the other was on New Pulp, two subjects that I have a lot to talk about. I sent both proposals in and finally heard back from the organizers, John Gribble and Bern Mulvey, that my presentation on self-publishing was accepted. Then later, a few months before the conference, I received another email asking them if I could also prepare my New Pulp presentation, as they had an additional open slot.

I wasn’t sure what to expect from the conference, but as the date grew closer, I started to receive a lot more retweets from the JWC and also from JETWit. Already I was seeing some positive response to my participation in this conference.

When the actual weekend came, I hopped a flight from Kagoshima down to Okinawa, and man was that a whirlwind of a morning. My flight landed just before noon, my first presentation was scheduled for 2 pm, and I had to get from the airport in Naha to the Okinawa Christian University, roughly half an hour by car. I wasn’t sure what the buses were like that afternoon, so I decided to bite the bullet and rent a car. Traffic on the streets of Naha is pretty intense, but fortunately I managed to make it to the conference about twenty minutes before my presentation.

My first presentation was the one on New Pulp, and I was extremely nervous. You’d think after teaching classes of screaming kids for over five years that a roomful of calm adults who understood my native language would be no challenge. Sure enough, that’s what I thought, but damn was I ever nervous. I felt like a total amateur in that moment, and I was so convinced that everyone in the audience thought I was wasting their time. I was almost afraid to ask if there were any questions at the end of my presentation. I was worried the questions would be in the vein of, “this was completely pointless, can I get my thirty minutes back?” But quite the opposite, there were a number of questions, and they were all great. After the presentation was over, a number of people came up to me and there was much handing off of business cards and discussions to be had about writing.

The convention was only two days and this was the first time I’d met any of these people. Normally, when I’m thrust into a strange environment with people I don’t know, I’m really nervous and find it difficult to interact with other people. But there’s something about being around other writers, people who think like you, that helps alleviate that. I ended up making a number of great contacts while I was there, and having a lot of fun interactions with everyone.

The Japan Writers Conference is a great place for English writers in Japan, both established and aspiring, to find a place to network and communicate, and learn about ways to expand your influence and learn a lot about writing, making connections, and marketing.

If you’re a writer in Japan, there really isn’t a reason why you shouldn’t try to attend if you have the time. It’s well worth the trip. Visit the JWC website and Twitter feed to stay up to date on the announcement. Also check out Tokyo Tom Baker’s site for a video featuring various people (including me) who attended the JWC and what they had to say about it.