SoulQuest Cover — One Step Closer

SoulQuest inksBrad Horton has finished the inks for the SoulQuest cover, which you can see right on the left! There may still be some changes to the final version, mostly the positioning of the airship, but for the most part, this is how it will look. Brad emailed me this image today and said he’s moving on to the colors and will hopefully have them finished by this week.

Once the colors are done, it’s just a matter of adding the logo and tweaking it as necessary, and then fast-tracking the book to production. By that I don’t mean rushing the project, but the interior files are already done, so once Brad finishes up the cover art, all that’s left to do is assemble the front, back and spine of the cover. There has already been some preliminary work on this, but it’ll change a bit once I see how the colors come back and the cover and logo will be adjusted as needed.

But the good news is that it looks like this book will be available before the end of the year, so be sure to mention it in your letter to Santa!

NaNoWriMo Begins

A few things to touch on this time around. November means the beginning of National Novel Writing Month (NaNoWriMo) and, just as I do every year, I’m participating once more. In the eight years I’ve been doing NaNoWriMo, I’ve only ever finished one novel I began for it. The others ended up abandoned on my hard drive. All novels aside from Fallen were written outside of NaNoWriMo or finished outside of it. Last year was an interesting one—I began working on a book called The Legacy of Frankenstein only to end up burning out around the 16,000 word mark. But it turned out to be a good thing, because it caused me to go back and look at some abandoned projects, one of which was SoulQuest. And though I didn’t finish it in November, I did complete it a few months later in March (more on a SoulQuest update a little later).

This time around, I’m working on a superhero novel. I actually began this back in April or May but then I put it on the back-burner after about 6,000 words because I needed a recharge after SoulQuest with some short stories. Those ended up piling up and took longer than expected, but now I’ve started back on it. I had cracked 11,000 words right before NaNoWriMo began, but instead of starting over with something new, I’ve decided to just keep working on this. Yeah, I know that’s cheating, but it’s not like there are any prizes involved and it helps me light a fire under my ass to keep going. To balance the scales a bit, I didn’t write at all during this first week of NaNoWriMo, so I’m about where I would have been had I started it on November 1st.

Although that writing holiday wasn’t intentional. I was busy on the 1st and the 2nd-3rd I was in Okinawa for the Japan Writers Conference. Speaking of the JWC, it went really well. A bit hectic on the first day because I landed at noon and then had to get from the airport to the rental car shop and then to Okinawa Christian University where it was being held. But I managed to make it in time. I gave two presentations that weekend, one on New Pulp and another on self-publishing. Both were pretty successful. I got to sell a few books and I also got the opportunity to connect with a lot of very awesome writers. Check out the Japan Writers Conference website to read some more about the authors who presented. Very good group of people and I hope I can go again next year.

So today, I’ve gotten back to writing. Managed 2,037 words today for a total of, as you can see on the little image from Writertopia (click on it to be taken to their site, by the way), 13,031 words. According to NaNoWriMo’s stats, the par for today is 11,666. So I’m doing well so far.

 

Yes, I am writing

avengers-you-should-be-writingDamn, those Avengers are pretty judgmental, aren’t they?

Well far be it for me to disagree with the combined might of Cap, Thor, Iron Man, and the Hulk. So yes, I have been writing. And the Avengers meme is an appropriate one, because what I am working on does indeed involve superheroes.

I’ve discussed this project a little bit in the past, but haven’t gone into too much detail. And I won’t go into any more detail today. Mainly because I hate talking something up and then failing to deliver on it (see: The Legacy of Frankenstein novel I was real excited about around this time last year). So instead, I’ll just say I am working on something.

I first started taking notes about this project some time ago when I was still in the middle of writing SoulQuest. But I limited it to just note-taking because I didn’t want to get distracted from finishing the project I was very close to the end on. And once I typed the words THE END on SoulQuest, I immediately jumped into this project, cranking out around 7,000 words in pretty short order.

But then I had to put it on hold. Two short story opportunities presented themselves in the beginning of the summer and I committed myself to those. And before I finished those, I was invited to participate in another project that really excited me, so I jumped at the chance. Then before I could finish that, I was asked if I wanted to be part of the PulpWork Christmas Special and fortunately, a great idea came up and I agreed.

So this project was pushed back, and pushed back, and pushed back and I was starting to worry if I’d even be able to get back into it. I unfortunately didn’t manage to do any writing over the weekend, because I was too tired from some work obligations, so instead I just looked over what I had written before. And at first, I was just staring at a wall, and I started to worry that I would get stuck and this would remain another vacant, uncompleted project.

But then today I opened up my Scrivener file and just started writing. And it just started flowing in a way nothing else has. Don’t get me wrong, I enjoyed writing those short stories, but this just came so much more naturally to me. I’m now at just under 10,000 words and I’ve barely even begun.

So I’m pretty excited about how this project is coming together and hopefully, if all goes well, it won’t take too long until you get to read the finished product.

Another Project Finished!

student_finishing_essayToday, I sent off the final short story I had agreed to write. I banged out quite a few of these since around July or so. I agreed to write three stories for Pro Se Productions, although I can’t say much more about them than that until they’ve gone ahead and made an official announcement. The fourth story I agreed to write is the one I just finished, and that’s a Myth Hunter story featuring Asami that will be appearing in the PulpWork Christmas Special 2013.

In addition to those stories and my day jobs, I also edited a novel for Pro Se, did some lettering and logo work for a few different people, prepping for the Japan Writers Conference in just two weeks (and that led to a writer from the Japan Times contacting me about an article focusing on foreign writers living in Japan), and I also managed to turn out two WhatCulture articles. Been a while since I managed to do any of those. These two new ones are 10 Awesome Comics That Deserve Their Own Video Game and The Avengers: Age of Ultron – 10 Characters Who Could Potentially Die (And What It Would Mean).

I’m still doing my graduate work. The class I’m taking is Fundamentals of Fiction. So far, it hasn’t told me a whole lot I didn’t already know, but the class assignments mostly consist of short stories, so that’s also been some more stuff to work on, sometimes in areas I may not have tried exploring on my own.

And finally, another thing has been keeping me busy. I’ve begun recording interviews for a podcast that I plan on launching in November. This podcast will be called the Exploding Typewriter: Pulp Writers on Writing Pulp. Each episode will feature a different guest discussing a different aspect of creating pulp. I’ve recorded three interviews so far and I’ve got several more scheduled for this month alone, with a list of additional creators I need to arrange recording times with. It promises to be fun and informative, so more on that as it becomes available.

Although all but one of the stories I wrote featured my own characters, they were still more or less assignments. With them all done, I can get back to working on the new novel I started putting together a few months ago. It’ll be nice to finally get a chance to dive back into that.

 

The Magic Spreadsheet

tumblr_lua11wav5b1qa3gglo1_500As I mentioned recently, my new job has a much longer commute, which gives me more time in the car and more time to listen to podcasts. Mostly I focus on comic book and film podcasts (special mention goes to my buddy Derrick Ferguson, co-host of Better in the Dark and of course, Tommy Hancock and his podcasts, Pro Se Presents: The Podcast and Pulped!), with a few political stuff thrown in for good measure (especially The Bugle).

I also listen to a few writing ones, and one of them I found that I like is Mur Lafferty’s show, I Should Be Writing. On it, she talked about the Magic Spreadsheet, created by Tony Pisculli. Here’s a link to the podcast she did with Tony about the Magic Spreadsheet and here you can find the Google+ community for the Magic Spreadsheet (as well as information on accessing it on Google Drive).

The Magic Spreadsheet works by encouraging you to keep a daily habit. Unlike most other writing outlets, the Magic Spreadsheet sets the bar pretty low to start off—250 words a day. Some may look at that and scoff. “250 words? That’s like a workout which consists of stretching!”

And it’s a good argument. Most people shoot for around 1000-2000 words a day, which is a good goal. When you’re working on a book that has to be tens of thousands of words long (or sometimes hundreds of thousands), 250 words a day doesn’t seem like it’ll get you any where.

But the goal isn’t necessarily quantity, it’s consistency. Yes, 250 words is easy to do, which is why this is an easy habit to get into. You can go over if you want (I frequently do), but what’s important is if you don’t write, you break the chain you’ve built up and you start off back at the beginning. Which may not matter to most people, but it gives you a sense of accomplishment and it’s something to keep you motivated.

Plus, let’s face it—we all have off days when we don’t feel like writing. But if all you have to do is put out 250 words, that’s not as daunting as 2000. Even if you’re not in the mood, it becomes something that you just have to get done. Like doing the dishes.  “Okay, I’m not in the mood, but this will only take about fifteen minutes and then I can get back to GTA5.”

And you might surprise yourself. Lately, I’ve had to work on Saturday mornings, but I had this past weekend off. Friday night, I was enjoying that I didn’t have to be anywhere the next day. I made a pizza, drank some beer, caught up on TV and read some comics. And then I looked at the clock and realized it was already getting close to 11 and I hadn’t written anything all day. I wasn’t feeling like it, but I told myself, “hey, 250 words and then I’m done.” So I sat at my computer and by the time I was done, I’d written about 1200 words.

That’s why something like this is good. Even if you feel like you’re not in the mood to write, that “it’s just 250 words” kick might be just what you need to get some momentum going.

So give it a try, you might find it to be very effective.

SoulQuest Cover Coming Along!

imageToday I’ve got something special for you. Brad Horton is hard at work on the cover. If you follow me on Twitter, you probably saw I posted a small headshot from Brad recently. Well, I woke up this morning to find the image you see to your left waiting for me in my inbox!

The hooded guy in the cape and wielding a sword is Zarim, the hero of SoulQuest and captain of the pirate airship, the Excalibur. By his side, as always, is Ekala, his first mate, a rough-and-tumble thief who doesn’t take crap off anyone.

These designs were originally created by artist Frank Jensen when he was working on SoulQuest as a comic book. I gave those designs to Brad as a reference to work from and told him to feel free to make any changes he felt were necessary. For the most part, he left the designs intact, but he made some subtle tweaks which I feel have really tightened up the look of the characters.

And this is just the preliminary stuff, people! Brad’s showed me the concept he has in mind for the cover, and it will take these awesome designs and make them extremely dynamic!

Once again, if you haven’t, run on over to Brad’s website and check out his amazing work. He’s also got some art for sale (my personal favorite is his Teenage Mutant Ninja Turtles piece)! We still don’t have an official launch date for SoulQuest just yet, because I want to give Brad all the time he needs to work his magic, but once we do, readers of this blog will be the first to know!
On other fronts, my latest story for Pro Se is inching closer and closer to completion. I’m at 5,239 words and the story has a rough goal of 8-10,000 words, so a little more than halfway done.

I announced this on Facebook and Twitter yesterday, but I wanted to mention it here as well: I’m looking into starting up a podcast specifically about pulp writers on writing pulp. I’ve gotten some interest so far, but if any pulp writers are reading this and would like to be a guest on the show, please drop me a line either through Facebook, Twitter, or this site’s contact page. In your message, let me know what aspect of writing pulp you’d be interested in discussing on the show (feel free to come up with a list of things, as I’d like to have recurring guests).

Writing Frustrations

I’m about halfway into the last of the short stories I’m presently committed to write for Pro Se. It’s coming along a bit slowly as I reach into the middle. But it got off to a rocky start. When it comes to these assignments I do for other people, and especially in a genre I’m not really familiar with, I go through a few different stages of progress.

First off, there’s the planning stage. At this point, I’m really excited about the project, and my hand can’t stop scribbling notes in my trusty writing notebook. I plot out a loose structure from the story—or at least loose in the sense that even if it is detailed, I don’t force myself to adhere to it. I treat it like Google Maps—they give me a route to take, but as I’m driving along, I may recognize another road that cuts down on the commute or I’ll take a detour in case I want to stop off at a store or something.

Next, comes the writing stage. At the beginning, this is the first part of the frustration. I just sit there staring at the blank screen, not sure what to write. I read through my notes over and over and over again, and I can’t get anything done. With this story, I actually wrote two separate introductory scenes that I quickly scrapped.

Then I start getting into the groove, the characters start speaking to me, and we’re off and running. But around the midpoint of the story, I start to slow down and I go back to reading my notes, thinking, “well what do I put in here?” This is another period of frustration.

But if I keep to the grindstone (and when you’re writing a story as an assignment for someone, you’ve got a deadline to meet, and that definitely helps), I push past this part.

Then by the time I hit the word count limit, I’m not quite finished with the story.

At this point, I’m at the middle stage. I haven’t done any writing for today just yet, and I’m typing up this blog entry as something of a warm-up. Lately I’ve been cranking out about a 1000 words a day on this tale, which is good, but today may be a bit rougher. For the Magic Spreadsheet, to keep the writing chain going, you only need to crank out 250 words a day, every day. Obviously I’m shooting for more than that, but it’s good to know that even if I’m having an off-day, all I have to do is throw out a few hundred words to keep pushing on.

As I mentioned in another post, as a consequence of my much longer commute, I’ve been catching up on a lot of podcasts. It’s made me want to get back into podcasting myself. I had a short-lived program about two years ago, but my co-host and I disagreed on the show’s format and we decided to stop doing it. I’ve also appeared on several other podcasts, including Pulped and The Book Cave and really enjoyed those experiences, so I’d like to podcast a bit more regularly. In particular, I’d be interested in doing one about writing, but don’t have a regular co-host (finding one is difficult when you live on the other side of the world) and I’m not so sure people would like to hear me ramble on solo for 30-60 minutes every week.

Back to School

backtoschoolSeptember has brought about a return to school on two fronts for me. At the beginning of this month, I began my new day job. I’m still teaching English in public schools here in southern Kyushu, but now I’m working for a private company instead of the JET Program (which imposes a limit of five years). The other major difference is that before, I taught at elementary and junior high schools, whereas now I’m teaching at only elementary schools. I’ve also got a much longer commute, around forty minutes to an hour and a half depending on the school (I have a lot of schools to visit). The good thing with that is I’ve gotten a chance to catch up on a lot of podcasts, as well as discovered some others.

On that note, if you aren’t listening to Tommy Hancock’s excellent PULPED! and Pro Se Presents: The Podcast shows, then you need to jump over to iTunes right now and search for those. Every week, both are updated with Tommy speaking to a different New Pulp writer and they’re well worth a listen.

The other “back to school” front is I’ve begun the second semester of my online masters course at Southern New Hampshire University. The first semester was a difficult one. I took two classes with the assumption that I’d have plenty of time—after all, I was taking five classes a semester during my undergrad years, why couldn’t I be able to handle two? Famous last words, as those two classes took up a lot of my time and I was burning the candle at both ends. This semester I’ve only decided to take one class. Initially, I was enrolled in a Masters in English, but when registration time came around and I looked over the required classes, I realized they were pretty much identical to classes I took in my undergraduate years. Not wanting to just repeat myself, I changed my major slightly—I’m still going for a Masters in English, but now it’s more specific: a Masters in English and Creative Writing with a Screenwriting Concentration (man that’s a mouthful). Poetry doesn’t pose much of an interest to me (and I’m not very good at it) and while there’s no harm in improving my prose skills, screenwriting and film has always been one of my first loves, so I wanted to focus on that. This semester, I’m taking a class called Fiction Fundamentals and today’s the first day. I popped in on the message boards and introduced myself (as is customary at the beginning of these online classes), talked a little bit about myself, and was surprised to find someone who recognized me from my work with PulpWork Press! Always a nice feeling.

On the education front, last semester both of my final papers focused on pulp work. One of them was a linguistic analysis the language of Fleming’s Bond novels and how Fleming used that language to promote notions of British superiority. After a semester full of struggle and my professor getting really frustrated with me just not getting ig (although still disguising it with nearly endless patience), imagine my surprise when she sent me an email in response to my first draft and asked me to post it up on the class message board to serve as an example!

My other paper was comparing Edgar Rice Burroughs’ Tarzan to another jungle hero, Charles Saunders’ Mtimu, who made his debut in Black Pulp. As an editor for Pro Se, I’m entitled to digital comp copies of their entire library, so I emailed Tommy and asked him if I could get one of Black Pulp and explained why. Tommy was more than happy to provide me with a copy (and go pick up yours, it’s an excellent book). Once I finished the essay, I sent it to him and Tommy loved it to the point that he asked me if he could post it up on the Pro Se website as one of Pro Se’s Free Extras and I said sure, albeit with some trepidation. I hadn’t yet received a grade on it, nor feedback from my classmates, so the self-conscious part of me who has been out of college for about seven years kept telling me “this is crap, you don’t know what you’re doing.” But Tommy liked it and so I allowed him to post it up.

Nothing could prepare me for what would happen next. A few weeks ago, I received an email from Ron Fortier, who really needs no introduction (but go on over to Airship 27 if for some reason you do need one). Ron’s always an interesting guy with a story to tell (if you’ve ever heard him on any of the podcasts he’s appeared on, you know this, and he just did one for The Nocturne Travel Agency that you should listen to), and this was no exception. This time around, Ron told me about how he’d been trying to convince Charles Saunders for some time to write a jungle queen novel focused on the character of Lulama, who was at first an antagonist of sorts in the Mtimu story. Saunders gave it some thought, but once my essay was posted on Pro Se’s website, Ron took advantage of it and sent it to Charles. The essay apparently delighted Charles to the point that he decided to move ahead with the Lulama novel! You can read the full account on Airship 27’s press release. Needless to say, I was floored by this news. What turned out to be a simple essay (and writing about pulp in a positive light in an academic setting is a steep hill to climb) turned into something that served as inspiration for a great writer!

And yes, I got an A on the paper.

Things have now calmed down after I’ve moved into my new house and settled into my new job. I’ve managed to jump back on the writing horse. SoulQuest, my next novel, is close to print. My old friend and wonderful artist Brad Horton is handling the cover art this time, and from the concepts he’s shown me, this will probably be the best-looking book I’ve published to date.

After living with SoulQuest for far too long, I decided to recharge by doing some short story work. I’ve also finished two short stories for Pro Se, and I’m in the process of working on a third. I’m not sure if Tommy would like me to go into more specifics than that, so I’ll keep quiet about what those projects are until there’s a press release. I’ve also got another short story to work on for the 2013 PulpWork Christmas Special. This will be the first time I’ve participated in that anthology. I had to decline in the past because I was in the midst of other things and couldn’t get it ready in time. But this time, I had an idea for a great Christmas story. So rejoice, Myth Hunter fans, because this story will focus on Asami, Elisa Hill’s changeling partner!

Once I’m done with those stories, I can get back to my next novel project. I put it to the side for a while so I could recharge myself with these shorter projects. But now I’m chomping at the bit to get back to work on it. I won’t say much more about it than that. I’ve started using the Magic Spreadsheet to chart my progress, and you can find out more about that here.

That’s all for now. Hopefully with some more time, I’ll be able to post on here more frequently.

Japan Writers Conference 2013

As some of you know, I submitted a proposal to the Japan Writers Conference for their upcoming event this November in Okinawa. About a month ago, I was contacted by them and told that my presentation was accepted! For those of you in Japan, try to come on out to the Okinawa Christian University on November 2nd from 10 am until 5 pm and then again on November 3rd from 10 am until 3 pm. My presentation on self-publishing will be on November 3rd from 2-2:50 in Room #3! I’m really looking forward to this opportunity to meet and connect with other writers in Japan!

In addition to that, apologies for my lack of activity lately. I wish I could tell everyone it’s because I’ve been lying on the beach all summer, but the truth is I’ve been really busy. My previous day-job ended at the end of July, and so all summer (and for several months before), I’ve been looking for a new one. Luckily I found one, and am still able to stay in Kagoshima. I also had to find a new home, which required a lot of house-hunting, but that too has been settled and now I’ve moved into the new place and have everything unpacked and ready to go. I’ve also been really busy with these graduate-level courses I’ve started taking for my masters degree: the first two are winding down and this upcoming fall semester, I’ll only take one class.

On the writing front, some exciting things in the pipeline. I’ve just completed a short story for one of Pro Se Press’ anthologies, and I have two more in the works. One of those stories is at the halfway mark and the other I’ll jump right into as well. I’m not sure if Tommy Hancock will like me announcing which anthologies these three stories will appear in, so for now I’ll just have to keep quiet on that front. I’ve also got another short story, which if I can finish in time will turn up in the next PulpWork Christmas Special.

My seventh novel, SoulQuest, is done. The PDF for the book’s interior is laid out, and I’m just waiting on the cover art from the artist, which should be finished in September. If all goes well, the book will be ready to drop by October or November, with the ebook coming shortly after.

I’ve got a pretty good idea of what my next novel will be. For those waiting on another Infernum or Myth Hunter book, sorry to say but it won’t be one of those. Although I have not abandoned them. I’ve got rough outlines and working titles for the third books in both those series. This next book I’m working on, though, is something I’ve thought about for a while and I’m looking forward to finally having the chance to work on it.

More information as it becomes available.

Fallen

Self-Publishing: How To Do It Properly and Affordably

FallenLately, I’ve been spending a bit of time on LinkedIn, connecting with other writers. Most of these writers are self-published through services like CreateSpace, Lulu, Lightning Source, etc. A few, however, are interested in publishing and many of them have asked about some of the vanity publishers.

First off, no matter what you do, make sure you check out Preditors & Editors. The design isn’t pretty, but it’s got very useful information on scams.

Second, be realistic. Yes, there are self-publishing success stories like E.L. James and Fifty Shades of Grey, but these are more often than not the exception to the rule. It is true that authors who use a print-on-demand service like those mentioned above will get a larger share of the royalties than authors who go through traditional publishers. But your best chances of making money off your book are still through the traditional publishing market. That’s where you’ll get the most exposure, that’s where you’re likely to get more professional reviews, plus you also get an advance on it. And bookstores are far more likely to stock it than with your POD book.

Yes, it sucks. But that’s the reality. So try to find an agent and have them try to find a publisher. Maybe it’ll work, maybe it won’t. I self-publish, obviously, but if an agent called me up one day and said, “some big publisher wants to pay you a lot of money to let them publish your book,” I’d jump out of this self-publishing thing so fast, there’d be a cartoon cloud of dust where I was standing.

So don’t believe the hype. Tobias Buckell booksplained this, and it inspired a post by Chuck Wendig. Both are well worth reading and both will explain this better than I can. So I’ll just focus on what I know, which is self-publishing.

Let’s say you tried the agent route and it didn’t work. I did and it didn’t work for me, so there’s nothing wrong with that. I might try again in the future, but for now, I’m okay with where I’m at. And let’s assume you know the realities of the self-publishing market (if you don’t, read both Buckell and Wendig’s posts, then come back). With all that you know, you’ve still decided to go the self-publishing route.

Be careful.

Scammers love aspiring writers. Many of them have no clue what they’re getting into. I know I didn’t and I know I almost got sucked into scams by the likes of PublishAmerica or AuthorHouse. Fortunately, I checked up on them and tried to tell myself all the bad press wasn’t true. But I realized the truth before I went with any of those outfits.

Self-publishing can be a minefield to navigate. You’ve got tons of scams, predatory agents and editors, not to mention the process of actually creating a book. It’s unfortunately not as simple as uploading a Word document (well it is and it isn’t, but we’ll get to that in a moment).

If you go to one of the services to print your book, the technical specifications may leave you confused. Trim size? Bleed? Why is my book bleeding? What the hell is DPI? This may make you tempted to look at some of those vanity publishers that charge upfront fees of hundreds of dollars in exchange for handling that technical stuff. Don’t get sucked in there. And don’t jump onto the professional services the POD outfits offer. Not yet, at least.

My personal recommendation is CreateSpace. They’ve worked great for me, there are no upfront fees and you automatically end up in European and American Amazon stores. For expanded distribution, which puts you just about everywhere, it costs $25 per title. You also have to pay for one proof copy of your book to review, so CreateSpace will cost you under $30.

Before you even get to that point, you can download their Word template and test it out. The support forums are very helpful and you should be able to manage this without too much trouble. I personally use InDesign, and it was a very big learning curve (those first few books were a nightmare to format). But now I’ve figured it out and got it down to a science.

Cover design is trickier. If you’re not an artist, if you don’t know how to use Photoshop or Illustrator, I suggest you try CreateSpace’s free cover creator, you find someone who can design it for you, or you learn what the hell you need to do. But know your limitations—you don’t want to end up on Lousy Book Covers. If money is an issue and you don’t know what you’re doing, just use the cover creator. Discover if any of your friends are artists and if they can help you out. I’ve done this. Or hit up deviantART. Check out the artists on there, find some you like, and approach them with an offer. They may say yes, they may say no, but you won’t know until you try. “But I can’t afford it” isn’t really an option—I know your teachers told you to never judge a book by its cover, but this happens all the time and you know you’ve done it, too.

Just ask yourself: if you saw two books in the same genre, written by two authors you’ve never heard of, and one had an awful cover while the other had a great one, which book would you choose? The type of cover you put on your book matters. A cover that looks professionally designed and looks like a lot of effort was put into it shows that this is a person who cares about how they’re perceived. A cover of badly Photoshopped clipart (or worse, MS Painted, and yes, they do exist) with Comic Sans gives the impression that you’re a lazy, sloppy writer who shouldn’t be paid any attention to.

Get a good cover or hire someone who can make one for you. Don’t whine about how you can’t afford it—I was a broke college graduate working a part-time job, living with my parents and with around $150 in my checking account in a good month and I still managed to put together a cover that didn’t look like something I wiped my ass with. Necessity is the mother of invention, so you learn what you need to do to make a good cover, you save up so you can hire someone to do it for you, or you make a lot of friends with a lot of artists. Don’t let your rush to publish your book overshadow the need to do it right.

Also, find an editor. Join writing groups, pay attention to the people who know what they’re doing, and help each other out. My partners-in-crime over at PulpWork Press do this, editing each other’s books and it really helps a lot (special mention to Joel Jenkins as that man is a pro at editing).

The point here is that you should learn how much you can do on your own before you even consider opening your wallet to fork over cash to these services. One that was recently brought to my attention charged $500 for their basic publishing package—that included editing, formatting, cover design, print and distribution. Now, that’s not too bad a deal. If you used CreateSpace’s professional formatting, editing and cover design services, it would cost you a lot more than this place, called MyBookOrders.

But after the first year, they also want to charge an additional $200 per year to keep your book in print. $200! Now maybe that’s no big deal to you, but it would be for me. I crunched the numbers. Publishing through CreateSpace and selecting expanded distribution cost me under $200 for all six books. If I were to use MyBookOrders, I would have paid under $7000 to date, plus an additional $1200 each successive year from this point on. And if I wanted to publish more books, that’s another $500 + annual payments of $200.

So see what you can do on your own and save yourself hundreds or potentially thousands of dollars. Because despite what the hypesters say, the odds are you won’t make enough off your writing to support such a high overhead.